I’ll draw the curtain:
My lord’s almost so far transported that
He’ll think anon it lives.
–The Winter’s Tale, Act V, sc.3
Every summer the Nashville Shakespeare Festival puts on at least one play in Centennial Park. This summer they’re being especially ambitious with two plays: Antony & Cleopatra and The Winter’s Tale. Really they’re being extremely ambitious by putting on The Winter’s Tale in Nashville in the summer, although part of the play does take place in the summer, but that’s another—no, wait, it is the story. Never mind.
The funny thing to me is I read both of these plays in a college Shakespeare class under the tutelage of a professor who pointed out that they’re two of The Bard’s least-produced plays. Productions of Romeo & Juliet or Twelfth Night are like episodes of M*A*S*H—always on somewhere, and obviously the NSF, which put on its first play in the park in 1988, has decided there are only so many times they can do The Comedy of Errors (3), Much Ado About Nothing (3), A Midsummer Night’s Dream (3), The Taming Of The Shrew (2), or The Merry Wives of Windsor (2).
And they’ve done The Winter’s Tale before, in 2005, which makes me think the the rerun is a little early since the play itself covers a span of sixteen years.
While the plays themselves are always great I also like to go and look behind the scenes. I didn’t interrupt but I did catch some of the cast at work.
Here’s the stage still under construction. Notice that they’re using one stage for both plays, which is one of the interesting things about Shakespeare. The original productions were in a grassy area behind the Centennial Sportsplex with no sets, only a very few props, and almost no costuming. Well, the actors did wear clothes, and for that we should be grateful—Falstaff couldn’t get the wrinkles out of his birthday suit—but originally the dress code for cast and audience alike was come as you are.