Beach Time.

April is National Poetry Month and the beginning of beach season, depending on where you are, so here’s a poem I wrote on a beach several years ago.

A “mermaid’s purse” is a black, leathery rectangle that’s the egg case of skates, stingrays, and certain kinds of sharks. They often wash up on the beach once their occupant swims away.

Mermaid’s Purse

I was also born out of the sea, out of rocky oyster shells and polyphemous waves,

Under gulls riding changes in the wind.

Tied To coral, to warped twigs in green light, cartilage congealed

Into a diamond-winged body, brown above and ghostwhite below, and a trailing tail.

Swimmers all of us.

What I couldn’t see from my point on land I connected

To things I recognized. It rained.

Water met water, a million drops disturbed

 

The surface.

But the fish only feel it when the waves grow heavy enough to drag

Them into the air. They feel it always. Even fused to their element

They breathe the threat

 

Above. Where

I walked gulls ran at the waves, caught quick bites, and picked at tidal remains. No sun

Breaks. Not since my birth has the sun come

Through to here, and the cold water runs wild and foul abandoned

To itself. I never noticed the currents above and below that shook me in

The tasteless pouch of comfort and unliving,

My dark home. The light broke, called me to follow, and my world split and was carried

Upward to the gull cries and foamy strings playing on the surface. I catch

It as it comes in

 

With the waves: a black leathery rectangle with wiry

Arms at its corners. It’s a mermaid’s purse, still thick with the smell of the sea.

 

On the sand

Nearby, half-sunk in foam and nearly invisible where it lies exposed,

Is a skate

Thrown onto the beach by an earlier wave, tail still

Touching the tide as it goes out.

 

I skim the bottom while threatening shadows of gulls pass over

My body blended with the background. Only touches of white where

My wings curl over reveal

Me, and the waves protect me for now. I prowl for the dead, scavenging for leftovers

 

Of storms, starvation,

And the hard black tides that strand and take back.

An offshore squall washed up blowfish, foam, and bubbled tresses of seaweed.

 

A strangled heron

Lies spread in flight on a pile of driftwood, cracked beak pointed toward

Sky-blue crabs clustered in a collective grave. A rust-skinned hook threatens nothing,

Though it lies close to a fish still and silver in the gray light. All around

Are fragments of sponge and coral. A string of bleached and broken shells has settled

Into a ridge to hold

The water as it comes in, puts its arms out to the things in its reach, and pulls

 

Them close. When

I broke from the blackness it was freedom, it was the beginning

Of the new tide.

The wind dies

Suddenly and the sun pushes through. From over the water, for a moment,

 

It becomes

The same sun under the water, rays reflected into sea urchin spines.

The farthest

Waves turn blue then, as they approach, they change to aquamarine,

Shedding skin

And mingling with white. They roll in. Smoky quartz

Carries the beat of sand against sand. They reach forward,

And water curls

Over land, over itself. Its edges end, then begin, in the moment when the foam reaches

The highest point and remains trembling in the wind.

4 Comments

  1. Kristine Laco

    Wow. I normally skip over poetry but that was… what’s the word? Poetic.

    Reply
    1. Christopher Waldrop (Post author)

      I get it: poetry’s not for everyone. Although, funny enough, you’ve reminded me of Samuel Johnson’s response to a manual written in verse about–I kid you not–sheep shearing. Johnson said, “The subject, sir, cannot be made poetical.”
      I beg to differ: any subject can be made poetical, although the “poem” about sheep shearing was pretty much just the dry facts.

      Reply
  2. Ann Koplow

    Beautiful, Chris, and time well spent.

    Reply
    1. Christopher Waldrop (Post author)

      I’m glad you spent the time to read my poem.

      Reply

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