Full Circle.

Source: Nashville Public Art

It won’t be long now before I start going back to my office which is kind of a strange thing to contemplate, especially since the only thing that’s really changed over the last thirteen months and counting, aside from now knowing I can work from home if I have to, is that my wife will be working from home permanently and after thirteen months and counting she’ll be really glad to get me out of the house, but that’s another story. For most of our respective careers we’ve worked in buildings that were close enough together that we’ve been able to share a morning commute. We’d park in the parking garage next to where she worked and I’d have a nice morning walk. I’d take the bus home while she’d work a ten-hour day and then on Fridays I’d drive in by myself and she’d have one day with the house to herself.

Now that she’s permanently working from home we’re looking at cheaper parking options, probably in one of the lots near where I work, which is fine with me because I have a love-hate relationship with parking garages. Or rather I love to hate parking garages and would be fine with an open-air lot. Even if it’s cold or raining, or cold and raining, at least I won’t have as far to walk. And on nice days, well, there’s nothing preventing me from taking a nice morning walk before I start the workday, and the best part is that, unlike the current arrangement which has me stuck walking only one direction, I can ramble wherever I want. I’ve even thought about where I’d go—a walk I’ve taken many times on lunch breaks because when it’s a nice day I like to just get out and walk, and many times I’ve found my way down Division Street, which takes me past The Red Door Saloon and the local Gilda’s Club, a place for anyone who’s been affected by cancer, and sometimes I even walk up to the famous, or infamous, Musica statue.

Designed by local sculptor Alan LeQuire, who also made the Athena sculpture in the Parthenon, it’s nine naked figures dancing. It’s very tasteful, done in a classical style, but it’s a little bit controversial. I guess the city has a love-hate relationship with it: some people love it, some people hate it, and some people have put clothes on the statues, which I love because it’s hilarious and I hate to have missed it.

The only problem with walking that way is the Musica sculpture is in the middle of a roundabout and I have a love-hate relationship with roundabouts. As a driver I like roundabouts—they make everyone slow down and be conscious of where they’re going and if everyone behaves no one has to stop. They’re actually safer than four-way stops and the Freakonomics podcast just did an episode called Should Traffic Lights Be Abolished? that looks at just how much safer roundabouts are and tries to answer the question, why aren’t they more popular in the U.S.? Spoiler alert: no one knows.

Except as a pedestrian I hate roundabouts because, well, no one has to stop. The roundabout that surrounds the Musica sculpture is called The Buddy Killen Circle and I think it could just as easily be called The Pedestrian Killen Circle. Or maybe I should just skip the walk and drive there.

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2 Comments

  1. Allison

    I love Musica. During one of the Predators post-season runs, they dressed them in fan gear – jerseys, shirts, scarves. I love when they deck them out. I don’t find them offense in the nude, either – it’s a gorgeous piece of art. I also enjoy the whimsical bike racks in that area. The weird art that I don’t get is the rollercoaster track on the bank of the Cumberland across from Broadway. But, hey – it’s different, and memorable. Good luck with your lot search!

    Reply
  2. ANN J KOPLOW

    Maybe I’ll see the Musica soon, Chris. It’s always great to circle back to your blog and this is a roundabout comment leading here:

    Reply

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