Author Archive: Christopher Waldrop

No More Mr. Tough Guy.

Source: IndependentThere’s something special about character actors. Whether they’re deep background, doing cameos, or in supporting roles they add depth and color. And some of them stand out, like Jon Polito. Chances are you’re like me and don’t recognize Polito’s name but recognize his face. When I saw his picture I said, “Hey, it’s that guy who was in…that thing.” Lots of things, actually. He was a favorite of the Coen Brothers, appearing in Miller’s Crossing, Barton Fink, and The Big Lebowski as well as appearances on Seinfeld, The Drew Carey Show, and Modern Family. He also lent his voice–his distinctive voice–to several animated works.
And I was sorry to hear of his passing. I didn’t even know his name, I just knew him as that guy. Known for mostly playing tough guy roles, whether as a cop or gangster, the characters Polito played weren’t exactly people I’d like to know but there was something about him I did like. Like any great actor he inhabited every role completely, and even when he was only playing a cameo role, supporting the main cast, he was always more than just background.
Hail and farewell Jon Polito.

 

See The Light Ram Through The Gaps In The Land.

When is graffiti not graffiti? That’s a question I’ve tangled with before and not one I feel has a straightforward answer. If you want to get eggheaded about it the term “graffiti” comes from the Italian graffito which means “to scratch” and became associated with vandalism because people like the ancient Romans were not only conquerors but also tourists who went to places like the pyramids of Egypt and scratched notes into the rocks. Sometimes they scratched a thumbs-up sign and sometimes they’d leave notes like, “Very good. Would visit again. Please come see my stadium.–Flatulus” but that’s another story.

I guess that’s why some people feel that “graffiti” is inappropriate for painted works or even too high falutin’ so they employ a low falutin’ term like “street art”.

But what if it’s not even on a street? And what if it’s not even vandalism but is commissioned work that happens to look like graffiti? Maybe I’m making this harder than it needs to be, but if graffiti can be art then art can also be graffiti.

I was sent along this mental Möbius strip by Michelle of Still Not A Journal who shared some pictures of works on and near a building “next to Tallebudgera Creek and under the Pacific Motorway” which she adds is “a dodgy looking area”. The place is called Expressive Ground which it turns out is a performance venue. The way they’ve decorated the place seems like a performance in itself, but I’m not going to get eggheaded and talk about “dynamism” and stuff like that. Here are the pictures:

IMG_3988IMG_3984IMG_3980IMG_3982IMG_4002IMG_3996IMG_3992IMG_3991IMG_3990IMG_3989The animal pictures are especially wonderful because they’re examples of that high falutin’ term trompe l’oeil, and also because I love how proud Australians are of their native fauna. And I can’t think of Australia without thinking of Bullamakanka so go and listen to their song “The Bunyip From Hooligan’s Creek”, not to be confused with The Bunyip of Berkeley’s Creek, which is another story, and if you recognized the Kate Bush song that was the source for the title of this post give yourself five bonus points.

Twenty Minutes Later I Wanted To Do It Again.

crutchWhat does it take to make an experience valuable?

I was a college freshman and alone for reasons I don’t remember. It was unusual for me to be alone since there always seemed to be someone around, even when I didn’t want others around,but on this particular night I was bored out of my skull and had left a series of messages on my neighbor’s answering machine describing in excruciating detail just how bored I was. When I guessed the tape was nearly full I left a final one that ended with, “Being able to share my feelings in this way has given me an entirely new and happier outlook on life. I think I’m gonna go fly a kite.” All of which was, of course, completely untrue. I didn’t even have a kite. But I did get up and leave. I’d been hit with a sudden craving for Chinese food and like a lean and hungry hyena, or at least like a pudgy guy in a trenchcoat, I set forth in search of numbers five, nine, thirteen, and a handful of fortune cookies. The problem was the closest Chinese food place I knew of was three miles away. I had heard of Chinese places that delivered, but New York is a long way from Indiana and I doubted any of them were willing to make the trip. Besides I barely had enough to cover a cup of hot and sour soup, let alone the extremely generous tip they were bound to demand. So I called in my order. I wasn’t going to sit there in the restaurant and eat by myself because that would be weird. And set off on foot. Having measured my walking pace I’m guessing it took me about an hour to get there and even though there was a chill in the air I didn’t worry about my food getting cold on the trip back because it was already cold when I picked it up. And I returned my dorm and had a small feast that I wouldn’t say was fit for a king or even the general whose chicken I was allegedly eating, but at least it broke the boredom. And the next morning I felt like it had broken something else. I had an intense pain in my right foot. I couldn’t stand on it but could hobble along by leaning on walls or on friends. The student health center provided me with a pair of Civil War-era crutches and my parents considered fetching me home to Nashville where my father knew a podiatrist named Doctor Payne. And I kind of wish they had, not because things would have been any better but because when your doctor as a homonynomous moniker like that the jokes just write themselves. I even spun out elaborate imaginary introductions. “Hello. I’m Doctor Payne. I’ll be assisted today by my interns Doctors Hertz, Bledes, and Nurse Stab.”

Instead an aunt and uncle nearby took me to the hospital where I was doted on by the same doctor I’d seen about a month earlier when campus security took me to the emergency room at three a.m. with severe stomach pains that turned out to be the result of mixing caffeine pills with Coke. I’m pretty sure that same doctor was there twenty-four hours a day which, in a small town, probably isn’t unusual, but that’s another story.

It turned out I had a stretched tendon. At least that’s what I think he said since it was kind of hard to pay attention over the sound of the guy a few chairs away who was trying to pass a kidney stone the size of a baseball. I was told I needed to stay off my right foot for the next six weeks which was annoying because walking was my primary way of getting from point A to point B since geometry wasn’t covered in any of my math classes. And I was stuck with the campus crutches which I knew dated from the Civil War because they’d clearly been made for Abraham Lincoln, and even once I got the hang of using them I didn’t move from place to place so much as take flying leaps that luckily didn’t stretch any tendons in my left foot. And when I got bored in class I could amuse myself by picking termites out of them.

It was an interesting experience but I leave this question to you: was anything learned or was it in any other way valuable? Would it help if you could try the egg rolls?

 

No Escaping Destiny.

Source: Wikipedia

Are we born the person we become or are we made by the events that follow? I know that “a little of both” is waffling on the nature versus nurture question, but who really thinks waffles are a bad thing? Excuse me. There’s something I want to discuss but I’m trying to avoid it at the same time. Let me start over.

In different interviews, such as one he gave on Inside The Actors’ Studio or this one for PBS Gene Wilder credited his mother with turning him into an actor, although indirectly. She had a heart attack when he was seven or eight and her doctor told Gene that if he got angry with his mother it could kill her, “but try to make her laugh.”

Maybe that’s why he was so perfect for roles ranging from The Frisco Kid to The Waco Kid, and more than one generation grew up with Wilder as Willy Wonka. In his roles he was so often a man tap dancing on the edge, and sometimes he kept dancing even as he toppled over and went spinning into empty space. Then there were his collaborations with Richard Pryor, where the two played off each others’ weaknesses, turning them into strengths. But was Wilder made into an actor by the trauma he shared with his mother or was it simply the spark that ignited something that was already there?

No actor, especially one whose played such diverse roles as Gene Wilder, can be summed up by a single role, but in addition to being one of my favorite movies–one that always makes me laugh–Young Frankenstein, which was originally Wilder’s idea and co-written with Mel Brooks, seems to me the most personal of Wilder’s films. Frederick Frankenstein is born into an infamous family, seemingly fated by his decision to become a doctor to follow in his grandfather’s footsteps, and yet fate isn’t enough–a whole series of events and characters push or drag him to his destiny. And Gene Wilder runs the whole range, playing straight in one scene and funny in the next, going from morose to manic and around again, always terrified but focused on giving life.

Hail and farewell Gene Wilder.

Back Of The Bus.

backofthebusChuck ruled the bus. He was our equivalent of The Fonz, stretched out across the back dispensing wisdom, standing up for the downtrodden, and generally being the epitome of cool. Except he was short, blonde, didn’t care about the downtrodden, rode the bus instead of a motorcycle, and mostly dispensed wisecracks, so I guess that’s not really the best comparison. He ruled the back of the bus, mostly talking just to his friends but occasionally he’d share something with the whole bus, like the time we had a substitute bus driver who ground the gears, got the bus stuck on a hill, and got lost. Chuck yelled from the back, “Didja get your license out of a Cracker Jack box?” It seems pretty weak now but in the world of first through sixth grade we had low standards and thought it was hilarious.

Anyway Chuck’s place was the entire back of the bus and everyone knew and respected that, at least until one day when I got on the bus and there was a commotion at the back. Another sixth grader, Jim, decided it was his turn to have the glory of the backseat for a change. Most of the time he sat at the front which was the equivalent of sitting at the front of the class. The cooler you were the further back you sat. I don’t know what the catalyst was on this particular day but Jim didn’t have a lot of friends on the bus and he was the son of a teacher. It was hard for him to achieve anything approaching being cool but maybe he thought if he could have the backseat things would change for him. The bus driver quickly pushed her way through the crowd and broke up the fight. She stuck Chuck in his usual spot in the backseat and sent Jim to the front where he’d quietly ride the bus the rest of the year.

There was something weird, almost comical about the way Chuck and Jim fought. They’d both had their eyes closed and were only punching each other in the stomach, and only hitting because there’s not a lot of room to move in the back of a school bus. I guess they were both really cowards but Chuck had found a way to compensate with an attitude.

De-Faced.

face1Most graffiti is a person’s name or nickname–what’s commonly known as a tag. And when you think about it a name, especially when elaborately drawn, is more than just a word. It’s a picture. It says as much about how the artist sees him or herself as a self-portrait would. And it’s the most personal expression an artist can make and have a history that spans artists as different as Rembrandt and Kahlo. So it was really interesting to me that someone tagged a couple of different places with what I think it a self-portrait. It’s a caricature and not realistic, but it’s meant to be a self-portrait. At least I think it is since as usual I don’t know the artist and I can’t ask them about it. So I’m just speculating, but bear with me here.

face2

What made me think of the connection between signatures and self-portraits wasn’t just the fact that this graffiti is a face rather than the usual name. I also thought of Salvador Dali’s massive painting The Ecumenical Council, from his religious period, finished in 1960 when he was fifty-six. In his youth Dali had been an ardent atheist but later would meet Pope Pius XII and converted to Catholicism.

Source: Wikipedia

Or did he? Scholars interpret this painting at representing the union of Heaven and Earth. The figure in the upper center is believed to be God whose hand is up because no one can look on the face of God. The interesting thing, though, is Dali’s self-portrait in the lower left. He’s painted himself as a painter. This has been interpreted as his substitute for a signature. And yet Dali signed most of his paintings with just his name. Self-portraits are extremely rare in his work. He occasionally painted himself as a child but almost always facing away from the viewer. In a few of his early surrealist works he painted himself or figures that represented him but with a hand over the face.

Maybe this is really Dali’s not so subtle jab at religion–suggesting that the real creator is the artist. Isn’t that blasphemy? Well it might have been a blast for Dali anyway. Yes, he went though the motions of converting to Catholicism but at a time when being an atheist among artists was common, even expected. He claimed to support Franco then the Spanish monarchy when most artists were joining the Communist party or at least claiming to be apolitical. I think he did these things solely to shock people, and throwing a little blasphemy into his work was his way of playing both sides. He didn’t take anything too seriously.

I know I’m not saying much about graffiti here, especially not the graffiti pictures above, but I am trying to tie graffiti into the more respectable world of serious art criticism and art history. Why? Because I think it’s funny that it shocks some people who take art way too seriously.

Milking It.

Source: SkyView app

Source: SkyView app

The other night I was dragging the garbage can up to the curb, one of those routine chores I always enjoy because I always do it after dark and walk through patches of shadow where anything could be lurking which, now that I mention it, is starting to make me wonder why I enjoy doing it and why I don’t do it earlier when it’s still light out even though it’s better to do it late to make sure I’ve gotten as much trash as possible because if anything’s left over we’ll be stuck with it for a week. And I enjoy it because while I’m dragging the can I look up at the sky which is another thing I didn’t think about until just now: the contrast between the earthy, grimy, trash and the ethereal, seemingly eternal sky above me. Really I’m just looking for planes. Or at the clouds. Most of the time I see the stars. At this time of year the night is also noisy. Even in our suburban neighborhood the children of the night, what music they make. I mean mostly bugs and frogs, of course, since we don’t have any wolves, or at least I haven’t seen any, but the little critters of nature know that they’re noisy. And they’re noisy because even though it doesn’t feel like it yet the summer is coming to an end. Their biological clocks are winding down and there’s a special urgency, one last desperate chance to meet that special someone. They’re brooding on the need to make a new brood.

It’s really the stars I focus on, though. Last night at the edge of the street I looked up and even through the pale orange glare of the streetlight I could see three bright stars in a line. They were part of the constellation Sagittarius which might have been more visible if that streetlight hadn’t been there. Beyond Sagittarius, though, is the Milky Way.

Strictly speaking Sagittarius is part of the Milky Way, and so is Earth, which is why it confused me when I was a kid when people talked about seeing the Milky Way. We’re in it, albeit far out in one of the outer arms. If it really were an arm I think we’d be just past the wrist and our galaxy also has more arms than a Hindu deity. So I thought saying “I can see the Milky Way” would be like standing in your closet and saying “I can see my house”. It wasn’t until one night on a camping trip in an extremely remote area on a cool late summer night that I actually saw the Milky Way, the band of shining, stellar clouds that stretches across the sky. According to the ancient Greeks it was formed when baby Heracles suckled on Hera in her sleep and some of her milk spilled out across the sky—a myth that was meant to explain the origins of the breast pump, but that’s another story.

There was something strange about looking into it, knowing that even though I could only see a small part of it I was still looking into the very heart of our galaxy. How did astronomers feel when they first realized our sun is just another star, and a pretty puny one at that? How did they feel when they first realized we only see mere ghosts of stars, that interstellar distances are so vast it takes years, even centuries, sometimes millennia, for the light of stars to reach us? The ground under their feet must have seemed a lot less stable. And in my lifetime alone astronomers, working with geologists, have come to understand the Earth’s long history of being hit by big rocks on a disturbingly regular basis—one about every twenty-six million years. The idea that a nearby star might be throwing wild pitches was dismissed almost as quickly as it was proposed, but the regularity might not be a cosmic coincidence either. Our solar system doesn’t stay in one place. Even as the Milky Way slowly turns the regularity of mass extinctions may be the result of the way our solar system bobs and weaves in its arm, perhaps taking us sometimes into dangerous territory. And some people get a kick out of saying we’re overdo for an interplanetary sucker punch, but a million years is a really long time. It may not happen.

Closer to home is the issue of light pollution, the growing number of photons we’re spewing into the sky nightly that make it harder and harder to see features like the Milky Way and smaller, dimmer stellar neighbors. It’s a scary thought that the more lights we use to light the night here on Earth the more we lose a perspective on our place in the universe, as if we were standing in a closet with no way to know what lurks in the patches of shadow.

It’s That Time Again.

bottleIt’s been much too long since I did a pop quiz. It’s state fair time, at least in the northern hemisphere where we’re moving into fall and the inevitable grim reaping of winter.

So here’s the latest pop quiz: amusement park ride or cocktail?

Because cocktails have a long history and are more diverse and weirdly named than Seattle bands I’ve tried to limit that list to the classics by pulling them from the 1922 Cocktails & How To Mix Them, and the list of amusement park rides is pulled from Wikipedia. What I’m getting at here is I didn’t make any of these up even though just about any name I could make up has probably already been the name of either a cocktail or amusement park ride somewhere. In fact I used to hang out in a bar that served a drink called Alien Secretion, which I’m pretty sure was developed by a bartender who read too much Burroughs, but that’s another story. And also I’ve given you easy links which means you could easily cheat on this quiz, but why would you?

 

Enough of my yakkin’. The topic of this quiz, since you’ve forgotten it by now, is, Amusement park ride or cocktail?

  1. Highball
  2. Singapore Sling
  3. Alpine slide
  4. Depth bomb
  5. Cliffhanger
  6. Rum punch
  7. Devil’s wheel
  8. Stinger
  9. Double Shot
  10. Silver Streak
  11. Gravitron
  12. Bosom caresser
  13. Reverse peristalsis
  14. Hayride
  15. Motion simulator
  16. Bloody Mary
  17. Power Surge
  18. Shoot the Chute
  19. Monkey’s Gland
  20. Topple Tower

answerkey2

drink1

School Of Hard Knocks.

busA book hit me in the back of the head. Hard. It was a textbook. Introduction To Trigonometry, maybe, or European Classics For Dummies. Whatever it was it was thick and it had been thrown from several seats back.
It was the first day of my sophomore year of high school and the first bus ride home. Things were not starting well.
Kevin, a freshman I didn’t know, was in the seat behind me. He was laughing like a hyena. I punched him.
“Dude,” he yelled. “I didn’t throw the book at you.”
I’m still not sure who threw the book at me, and even then I didn’t care. I should have thrown it out the window but I’m pretty sure the thrower wasn’t the owner; I’m pretty sure it was stolen from someone. I had a sense of ethics. I didn’t want to get them in trouble.
I didn’t want to get me in trouble either, and I was sure I’d be held responsible for throwing a school textbook out a bus window regardless of how it came to me.
So I threw it back. My aim was off and hit my friend Angie in the head.
“That’s it!” yelled the bus driver. He slammed the brakes on and stormed back to my seat.
“You’re going to the principal’s office first thing,” he said, poking a finger in my face.
“Sure,” I said. And I stomped to the front of the bus, pulled the door lever, and got out. I went straight to the woods, cut through backyards up to the condos then down the hill to my house and let myself in through the back door.
The phone was ringing. I answered it.
“Chris?”
It was Angie. I felt horrible. I launched into an apology but she cut me off.
“Shut up.” She knew I hadn’t meant to hit her in the head with a book. She didn’t know who’d thrown the book, whose book it was. What she did know was the bus driver and several kids were freaked out by my sudden disappearance. Two of my friends were being driven around by their parents looking for me.
Good, I thought.
The next day I was in my first class of the day, gym, and got called to the principal’s office. I’d later learn that I’d be reported as absent, blowing my perfect attendance record because the gym teacher was a jackass who didn’t pay attention, but that’s another story.
In the principal’s office I told my story. As soon as I mentioned Kevin the principal rolled his eyes and I was told to watch it in the future.
Nobody ever threw a book at me again.
What lessons did we learn here?

  • It’s not necessary to fight back against bullies to make them stop. Sometimes bold action is all it takes.
  • It’s helpful to know your neighborhood.
  • Kevin was a prick. He’s now a moderately successful insurance salesman.

It’s Complicated, But Not Unusual.

It’s not unusual for bloggers to hit on similar themes at the same time. What is unusual is that I happened to run across graffiti that seemed to speak to the theme that I felt three of my favorite bloggers had in common recently. Admittedly it’s also not unusual for me to extrapolate wildly and tie together completely unrelated things which meant that sometimes in English classes my interpretations of stories and poems were so wildly off the mark one of my teachers suggested I stop freebasing banana peels in the parking lot at lunch, but that’s another story.

This week Ann Koplow of The Year(s) of Living Non-Judgmentally is at the Edinburgh Fringe Festival, and while she writes daily about a variety of subjects and started the week with Wishes. But more broadly there’s something significant about her time there right now because her son is going to be attending the University of Edinburgh.

That’s why it struck me that Gilly, whose blog is Anything Except Housework, has a post contemplating her empty nest, and reflecting on her time raising two boys and what she might have missed, but more importantly she reminds herself of the need to remember the good she’s done.

And Chuck Baudelaire of Always Drunk contemplated moments that changed her life, moments that led her to where she is now.

All three were reflective and I somehow had all three in mind when I saw this:

simple1simple

And it made me think about how quickly a life can change but every moment is complicated. Every moment is embedded in every other moment. Singling out one is like extracting a crystal from a matrix.

If the connection seems vague it’s because, like I said, it’s not unusual for me to tie unrelated things together, but maybe that’s because everything really is related.

And that also reminds me of a joke. A guy goes to the doctor and says, “Doc, every time I pass a park I start singing ‘Green Green Grass Of Home’ and every time I see a cat I start singing ‘What’s New, Pussycat?'”

The doctor says, “It sounds like you’ve got Tom Jones syndrome.”

The guy says, “Tom Jones syndrome? I’ve never heard of that. Is it rare?”

The doctor says, “It’s not unusual.”