Hail & Farewell.

Lest we forget.

Miniature Memories.

The last Howard Johnson’s has now closed and I’m shocked that there were any still around. There was one near where I live that hung on for several years, then sat empty and abandoned for several more years, but its bright orange roof could be seen from the interstate and stayed in pretty good condition in spite of being left. I guess they were built to last even if the franchise itself wasn’t.

Of course I’ll always associate Howard Johnson’s with miniature golf. None of them, as far as I know, ever had golf courses, but when my family would take summer trips to Florida there was a miniature golf course called Gulf Golf on Treasure Island, and after putting through eighteen holes of windmills, concrete alligators, and around palm trees, we’d go and have ice cream. I’d get a root beer float with coffee ice cream which was the perfect combination.

I don’t miss Howard Johnson’s—I can get a root beer float any time, even if I have to make it myself—but I do miss miniature golf, which is more fun and has less pressure than regular golf. There’s still one in my old Nashville neighborhood that I would pass by regularly going from my house to the now defunct Hickory Hollow Mall. It was an expensive course, though, and had an elaborate castle, a lighthouse, and other buildings. At least it still has the lighthouse, and it may be worth playing a round. I played there a few times with friends many years ago. The main thing I remember is that the castle wasn’t part of any hole. It just stood off to one side, which seemed like a terrible waste. One of my friends said the course was really hard, but he was the only one who noticed. I don’t think the rest of us even bothered to keep score. If you’re playing miniature golf competitively you’re playing it wrong.

Even closer to my home was a, well, a weird miniature golf place, tucked away in a wooded area. The intersection of Nolensville Pike and Old Hickory Boulevard was, and still is, a major shopping center, but many years ago, just to the south, it all suddenly gave way to farmland, woods, and, for a long time, an old rundown bar with a gravel parking lot. Some time in the mid-80’s the bar finally closed and the property owners got the bright idea to build a miniature golf course there.

There were two nine-hole courses that could be played separately. One was a seemingly random assortment—a life-sized plaster gorilla, a lighthouse, because of course every miniature golf course has to have a lighthouse, and finally a tic-tac-toe board where the center square was the hole that took your ball. The other side was supposed to be a country music theme but was really just painted portraits of Dolly Parton, Charley Pride, and Minnie Pearl on wooden panels that probably came from the old bar, providing backgrounds for simple putting greens. Once we actually saw the legendary country music disc jockey Ralph Emery there with his family, and I wondered what he thought of the pictures since he knew most of the performers personally. 

It was only two bucks per game which was ridiculously cheap, and at first my friends and I laughed at the shabbiness of it, but it was fun to spend a summer afternoon just knocking balls around the greens under the trees and strings of multi-colored lights. We never bothered to keep score, or worried about what we’d do afterward. The playing was all that mattered.

Late Night Friend.

Source: BoingBoing

Back in my early teens I was alone a lot on Saturday nights, which isn’t as pathetic as it sounds. My friends and I would spend the day together but then there was a point when we all had to go home but, being teenagers, that didn’t necessarily mean going to sleep. Sometimes I’d sit up most of the night and, with cable TV still a pretty new thing, going through various channels looking for something. The USA Network at the time was an oddball channel that filled late night time with The Ray Bradbury Theater, the sort of counter-culture variety/anthology series Night Flight, and various low budget and cult films like Eating Raoul.

And then they started packaging the low budget and cult films as USA’s Up All Night and added weird, quirky host who immediately caught my attention. He squinted and had a raspy voice and the classic “this movie is terrible, folks, but let’s make the best of it” attitude that most late night TV hosts have.

That host, of course, was Gilbert Gottfried, and he really did make the best of some terrible movies. Yes, Sorority Babes At The Slimeball Bowl-O-Rama is a real movie, and, no, I wouldn’t recommend watching it. In fact there were nights when I was either out or went to bed at a somewhat reasonable hour and would tape Up All Night, then fast-forward through whatever the movies were and only watch Gottfried’s bits, which usually had nothing to do with whatever the films were.

One night his segments were filmed in, I think, New York’s Dino Roar Valley. Was it a dinosaur movie? I have no idea. I’m not sure it mattered. I only remember a segment in which, after being billed as a “Dr. Gilbert Gottfried, Dinosaur Proctologist”, he held up a giant pill and said, “Boy, do I hate these dinosaur suppositories!”

Another time he hosted the show from a tattoo parlor and imagined himself getting inked and turning into a motorcycle-riding rebel. Then he got one of the tattoo artists to paint a design on his arm while he sat going, “Ow! Ow!”

He was in his thirties when he started hosting Up All Night—and already had a good career at that time, including a short stint as an SNL cast member, which I somehow missed, and he’d go on to, well, better things. But it’s Up All Night that I’ll always remember best. On those Saturday nights I was never really alone. Gilbert Gottfried was goofy and weird and funny, and though I was never lucky enough to know him or even meet him he was my friend.

Hail and farewell, Gilbert Gottfried.

Born To It.

Source: Wikipedia

The 2003 reboot of Battlestar Galactica was full of surprising plot twists even from the beginning, but, for me, the most surprising moment was when Dean Stockwell showed up at the end of season 2. It’s a pretty dark series, but Stockwell was one of those actors who, whenever he appeared on screen, could change the atmosphere entirely. Would change the atmosphere entirely. He didn’t have to be serious to do it either. On Quantum Leap he was second banana to Scott Bakula but, with the exception of that show’s finale, the producers wisely made Stockwell the one who knew everything. He was there to be a father figure, or, really, more like a funny uncle, with his cigar in one hand and, well, an early smartphone in the other, and off-the-cuff references to his ex-wives.

I didn’t realize how long his career had been until I watched the 1947 film Gentleman’s Agreement a few years ago and saw Stockwell’s name in the credits. I kept looking for him, expecting him to, well, appear as a funny uncle probably, waving a cigar around, or maybe a dark, shady character. It didn’t occur to me until later that he would have been ten or eleven at the time of filming, and that he’d played Gregory Peck’s son who sits at the breakfast table quizzing his father about why anyone wouldn’t like Jews. Even as a child actor there was something compelling about him—not just the way he delivered his lines but the seriousness with which he carefully sliced a banana into his cereal and sprinkling it with sugar. His actions were natural yet deliberate.

His onscreen presence got me thinking about the craft of acting and something I’ve thought a lot about when watching really great actors at work. Is it something that can be learned or is it innate? Stockwell had plenty of time to learn—he was acting on stage before he was eight years old and worked pretty much non-stop until just a few years ago, but was he in high demand because he worked so hard or did he get so much work because he was such a talented actor? Maybe it’s a little bit of both. And no matter how effortless he seemed in his roles he worked very hard at the craft of acting, giving special attention to detail. He has a hilarious story about the inspiration for his character Ben from Blue Velvet:

You know that thing that I do with my eyes? Carol Burnett had a character of this super snooty woman and she was always like this. I stole it and I told her one time and she laughed her head off when I told her.

Maybe great acting is a little of both: it begins with natural talent but that talent has to be honed and crafted until it just seems effortless, and that’s what he did.

And, on an unrelated note, when I heard he died I texted a friend and said, “Sorry to hear it. I know you’re a fan.”

He texted back, “Yeah.” Then a few minutes later he added, “But isn’t everybody?”

Hail and farewell Dean Stockwell.

One More Thing…

Source: New York Times

There’s been a major revival of interest in the detective series Columbo, and since I’ve been a fan ever since I was a kid and discovered late night reruns watching my black and white TV in my bedroom, and since September 16, 2021 would be Peter Falk’s 94th birthday let’s talk about it and why the possibility of a reboot needs to die. Right now. Even if I have to kill it myself.

What hooked me from the very beginning, and why I still love Columbo, is really Peter Falk’s charm. He was rarely angry and had a quiet, unassuming demeanor that set him apart from other detectives of the era, which is also why I think he’s still popular today. Other ‘70’s detectives—Kojack, Rockford, McCloud!—were darker and grittier and, well, there’s a lot of that around, which may be why they don’t get as much attention. It’s telling that one of the other exceptions, Murder, She Wrote, is also getting a new surge in popularity, with its stories of a mystery writer who lives in the quaint New England town of Cabot Cove where the leading cause of death is living in Cabot Cove, maybe because Angela Lansbury is also the woman who murdered Sweeney Todd put Sweeney Todd’s customers in pies, but that’s another story.

There’s also Columbo’s appearance. He spends most of his time in a shabby raincoat and smoking cigars, although at least once he switched to cigarettes and coffee when he was up all night doing research. Some people point to the show’s fashions as being very ‘70’s, but some of the same looks are still around today. I think it’s more a sign of when it was made that Columbo could smoke indoors and there was an ashtray every three feet. He’s also different in that he pretends to be absent-minded, wandering around, frequently talking about his wife, whom we never see, and, as an aside, I’m going to say Kate Mulgrew deserved better. And got it, first in space, then behind bars.

The fact that we never see Mrs. Columbo has spawned a fan theory that she doesn’t exist, which is funny, but the evidence doesn’t back it up. Other people in the series also talk about her and, once, she tries to replace Columbo’s trademark gray raincoat with a bright yellow slicker that he “forgets” and leaves behind several times.

And while Peter Falk became a producer, working hard on the show behind the scenes, Columbo deliberately makes himself small, staying out of the way, often hunched over. Even the show itself frequently makes use of long shots in big rooms or outdoors, making Columbo appear even smaller. When asked what his first name is he only says, “Lieutenant,” although sharp-eyed fans know his first name is Frank, from one of the few times he flashes his badge.

The show also has a not so subtle anti-establishment streak, which I think is a product of its time but also part of the show’s ongoing appeal. Most of his suspects are wealthy, powerful people, and though there’s always a deeper motive—a fear of losing their wealth or their position, mainly—they still feel they can get away with murder, and it’s satisfying to see them get taken down. In spite of that Columbo does seem to like, or at least respect, some of the suspects he trailed. In “Any Old Port In A Storm”, when the murderer is a high-class winemaker played by Donald Pleasance,  Columbo seems to enjoy showing off his newfound knowledge of wine. Drinking while on duty—and, let’s face it, Columbo is always on duty, even when he’s on vacation—may be a violation, but in every other respect Columbo stays well above the law. And, okay, he goes out drinking again in “The Conspirators”, when he joins the Irish poet (and IRA sympathizer) Joe Devlin, and tries to impress him by reciting some limericks, including “The Pelican”:

A rare old bird is the pelican.
His bill holds more than his belly can.
He can take in his beak
enough food for a week.
I’m damned if I know how the hell he can!

And then there’s “Swan Song” in which the murderer is played by Johnny Cash, who starts with a good performance of “I Saw The Light” and ends with him being arrested for sending his wife down in a plane crash. But what also makes the episode memorable is how Cash and Falk have such natural onscreen chemistry, complimenting and complementing each other, that it’s not hard to believe actor and singer hung out together after the filming.

Even in “Murder Under Glass”, which is notable for being one of the few times Columbo comes out and says he dislikes his suspect, a professional food critic, but still wants to impress him with veal scallopini a la Columbo.

I’ve been using all this to lead up to why I want to kill a proposed reboot. I don’t think there’s anything wrong with reboots in general—I even think some have been great—but, while Sherlock Holmes, Miss Marple, and even Sam Spade, among other famous detectives, have been played by other people, and while Peter Falk didn’t originate the role, he made it his own. It’s hard to imagine the producers originally wanted Bing Crosby, and I just can’t picture Columbo as a blue-eyed sophisticate standing over a corpse crooning, “Bet she was a beautiful baby, buh buh buh…”

It’s because of Peter Falk that Columbo makes such effective use of the inverted detective story in which we know from the beginning who the murderer is and how they did it. How the detective unravels the mystery is supposed to be what draws us in, although, really, it’s just the pleasure of hanging out with Columbo for an hour or two.

What would a reboot look like? Even the innumerable Law & Order clones that have firmly planted the idea that most crimes are committed by the special guest star look ridiculous when we have darker, more complicated dramas like Broadchurch and The Sinner that explore how crimes don’t happen in a vacuum and are never really resolved, especially after just an hour.

Source: Atlas Obscura

And let’s not forget that part of the appeal of Columbo is that it’s always funny, or at least tongue-in-cheek. The murders may be serious but Columbo isn’t. He drives a broken down Peugeot, and occasionally brings along his Basset hound named “Dog”—I’m pretty sure Mrs. Columbo has given their pet a more elegant name. Columbo and Dog both are immortalized in a funny statue in, of all places, Budapest. Columbo even has his own amusing theme song, “This Old Man”, which he occasionally whistles to himself. Outside of Columbo Peter Falk is best known for comedic roles–the grandfather in The Princess Bride, opposite Alan Arkin in The In-Laws, and an aging performer in a made-for-TV remake of Neil Simon’s The Sunshine Boys.

The show also sometimes really strains credibility with Columbo picking up on farfetched clues like a pair of not sweaty socks, or an episode like “Troubled Waters”. While it’s a great story with a great cast that includes Robert Vaughn and Dean Stockwell, what are the odds someone would commit a murder on the same cruise ship where a great detective just happened to be taking a vacation?

A reboot would almost certainly heighten the comedy, but then it would be too much like the MAD Magazine parody “Clodumbo”, where the punchline is that twenty-seven innocent people have turned themselves in just to get away from the detective pestering them.

Source: Columbo Site

Columbo himself says it best at the end of the best episode, “The Bye-Bye Sky High IQ Murder Case”, when he’s asked if he’d ever consider another line of work. ““Me, sir? No. Never. I couldn’t do that.”

Let that be one last thing.

Miss Universe.

Source: BeverlyCleary.com

I can’t remember how many Beverly Cleary books I read as a kid. There must have been at least half a dozen on my bookshelves, not counting the ones I got from the library. I’m pretty sure a battered hand-me-down copy of Ribsy was the first full-length non-picture book I read by myself, and there were several Cleary books I went back to again and again. It wasn’t just that she wrote about childhood in a way that was really appealing—in Henry And The Paper Route, one of the ones I owned, one of Henry Huggins’ newspaper customers is a woman who’s nice but mistakenly calls him “Harry Higgins”, and Henry is too shy to correct her. He’s also bothered on his paper route by his friend Beezus’s younger sister Ramona. It’s not high drama but I could relate to it. And Cleary could get into some heavy topics. The book Ramona And Her Father dealt with unemployment: Ramona’s father loses his job, her parents argue, and even the family cat becomes a point of contention as the family tries to save money but Ramona’s father still spends money on cigarettes. And yet the heaviness is balanced out with lighter drama, like when Ramona builds a crown out of cockleburs and then puts it on her head. Her father has to carefully cut out the ones that get stuck in her hair. And Ramona Quimby, Age 8 would do a similar job of balancing the heavy and the light as Ramona’s father goes to college, her mother keeps working, and Ramona is left in the care of the Kemp family after school. Ramona’s expected to be nice to their daughter Willa Jean, who’s younger and who annoys Ramona. And, in a memorable scene, Ramona’s parents are late picking her up and the Kemps eat dinner in awkward silence while Ramona sits in the corner of the room. I’d had that same experience once. I think lots of kids have. And even if you haven’t had that specific experience I think we can all relate to learning that adults are fallible.

As a kid I didn’t appreciate how revolutionary Cleary’s books were for their time—how they were really a new kind of children’s books. Sometimes they looked at adult problems from a child’s perspective but more often they dealt with how the world of childhood can be strange and baffling—how matters that are, from an adult’s perspective, minor or even inconsequential, can seem like, well, heavy drama to a child who lacks an adult’s experience. Even as an adult Beverly Cleary remembered how it felt to be a kid.

There was something else, though, something I haven’t read in any reviews of Cleary’s work, ever. Maybe you remember it too, or maybe you’ve spotted it while reading this. She didn’t write fantasy or science fiction like Madeleine L’Engle or even Tolkien—aside from the Mouse And The Motorcycle series—but her books were sequential, following a single character’s life over years, but while Ramona is a character in the Henry Huggins books she’d go on to get her own series. Like many science fiction and fantasy authors Beverly Cleary created a shared universe. It just happened to be one we, the readers, were also part of.

Hail and farewell, Beverly Cleary.

It Could Happen.

Source: Sitcoms Online

Certain corners of the internet are exploding with the news that the new streaming service Blitz will launch with a reboot of the classic sitcom My Mother The Car. The show’s premise was typical of the ‘60’s, and perhaps even less ridiculous sounding now: attorney David Crabtree, played by Jerry Van Dyke, buys an antique car, specifically a 1926 Reichenbach, only to discover that it’s inhabited by the ghost of his deceased mother. She talks to him through the car’s radio and only he can hear her. She helps him through various difficulties with his wife and career as he evades the unscrupulous Captain Manzini, who’s determined to acquire the valuable antique car.

With its moody lighting, lack of a laughtrack, and muted performances My Mother The Car continues to be widely acclaimed as the worst sitcom of all time but still managed to develop a loyal cult following. It even spawned a series of comics published by DC with Crabtree and Mother becoming crime fighting quasi-superheroes.

Most attempts to bring back My Mother The Car since its 1966 cancellation have failed. Perhaps the most notable was Steven Spielberg’s 1986 big screen adaptation. Because of the film’s raunchy humor, including a subplot of Mother working for an escort service, it barely got by with a PG-13 rating and posters of Mother sporting an oversized cigar under her hood were quickly pulled from theater lobbies. Fans who continued to hold occasional “car-ventions” at Jerry Van Dyke’s Ice Cream Soda Shoppes around the country lamented the steady decline of their beloved franchise.

Then in 2018 interest was renewed with the cinematic release of the four and a half hour superhero epic Justice League: Quantum Fracture, which pulled together a vast range of DC characters, including David Crabtree and Mother. Although Jerry Van Dyke, who sadly passed away before the film’s release, was too ill to appear as himself he did record the dialogue and the onscreen David was played by a digitally enhanced Andy Serkis, who also provided Mother’s voice.  

The new series features a cast of largely unknown actors and, while the producers say they want to remain faithful to the original, will feature greater diversity and much less reliance on mother-in-law jokes. They also describe the new series as “a mashup of Herbie The Love Bug, Knight Rider, Chitty Chitty Bang Bang, Speed Racer, Wonderbug, The Magic School Bus, Speed Buggy, and Mary Hartman, Mary Hartman”.

Environmental concerns will be addressed too. Reichenbachs of that era operated entirely on whale oil, an issue that will be dealt with both in the series itself and through the Blitz service’s new sponsored conservation program My Mother The Narwhal.

I’ve now watched the three screener episodes Blitz provided to critics, social media influencers, members of the official My Mother The Car Fan Club, and pretty much anyone who asked and I think it’s safe to say it will be universally acclaimed as not too bad.

It’s All Connected.

Source: Wikipedia

So a bomb blew up in downtown Nashville early on Christmas morning, near the AT&T building that’s also known as “The Batman Building” because, well, if you see it you’ll understand. It’s a feature of the Nashville skyline and although I can’t see it from where the building where I work–or rather where I worked until last March when everything shut down, and where I’ll eventually go back to work sometime in the coming year–I could go to the roof of the parking garage next door to where I work and see The Batman Building from there. For all that Nashville has grown and is still growing it’s still got a fairly compact downtown area, easy to get to and, in normal times, easy to walk around in if you don’t mind the crowds. Needless to say these aren’t normal times and when the bomb went off a lot of people just sighed resignedly and said, “Thanks for one more thing, 2020.”
Although why the bomb in an RV was sent off downtown is still a mystery at least it went off early on Christmas morning when not many people were out and about–and it even made an announcement that it was a bomb and that people should get out of the area. For all the damage it did to the surrounding businesses, and as much as it would have been better if it hadn’t gone off at all, at least there’s a bright side.
It’s also interesting to me that Nashville made it to the front of The New York Times, which we still get in actual print, delivered to our driveway, on the weekends, the day after Christmas because of the bombing and also on Christmas Day because photographer Ruth Fremson made a trip across the United States to document the way various cities around the country were celebrating the season in these not so normal times.

The New York Times, December 25th, 2020. Nashville is the city with the Grinch.

The New York Times, December 26th, 2020. Below the fold but still on the front page.

That reminded me of when I was a kid and I’d been with my parents to the Tennessee Performing Arts Center downtown to see, of all things, CATS. As we were coming out we heard a woman say, “You know, this town reminds me of New York thirty years ago.” My mother groaned and said, “Oh please no,” and about twenty-five years later when my father retired my parents moved to Florida which is the most New York thing they could possibly do, but that’s another story.
One of the down sides of the bombing is because it affected the AT&T building it’s left a lot of people not just in Nashville but even in Tennessee and Kentucky without internet access. It’s left a lot of people, in other words, disconnected at a time when they want and need to be connected. It’s only temporary but here’s hoping it can all be restored before the end of the month–here’s hoping people will have a chance to say, thanks for bringing us back together, 2020.

Think About It.

Source: USA Today

Unlike most other game shows, especially those that proliferated in the 1970’s, Jeopardy! is beautifully simple, almost minimalist. Sixteen categories—or seventeen if you count the final round—and one hundred and twenty-eight questions—or one hundred and twenty-nine if you count the final round—and the only real strategy is be quick with your buzzer and stick to what you hopefully know. Oh yeah, and don’t forget the final round—if you’re far enough ahead you won’t have to do any complicated math for your final wager.

It’s the game’s simplicity that made Alex Trebek the ideal host. I don’t mean he was a simple guy, but he knew that when hosting Jeopardy! less is more and he was perfectly understated and kept the same even tone throughout everything. Yes, I laughed at the SNL parodies, but, with all due respect to Will Ferrell, I don’t think he ever really got Alex Trebek. If Sean Connery—who, sadly, also left us recently because, well, 2020–really had been a competitor on Celebrity Jeopardy! first of all I think he would have been too classy to make crude jokes about Trebek’s mother or draw pictures of him having sex with a horse, but if he had I think Alex Trebek would have chuckled politely, given a sardonic look to the audience, and moved on.

With that in mind I’m reposting this as my way of saying, or rather asking, what is hail and farewell, Alex Trebek?

[Jeopardy! theme music plays. Alex Trebek stands center stage.]

ALEX TREBEK: And we’re back to this very special episode of Jeopardy! Let’s take a moment to talk to today’s contestants.

[He crosses over to the contestants.]

ALEX TREBEK: Count Dracula, you’re an undead Romanian prince. I understand you can assume the forms of a bat, a wolf, and a white mist, and you travel extensively. Tell us a little about the charity you’re playing for today.


ALEX TREBEK: Can you elaborate on that?

COUNT DRACULA: Of course. Is great need for blood in Romania. I bring people of all kinds to castle in Wallachia. I take blood and dr—uh, give…give to those who need blood.

ALEX TREBEK: That sounds like a great cause. Moving on, Frankenstein’s Monster, you’re an assemblage of body parts from different corpses. Some people call you “Frankenstein” but that was in fact the name of the doctor who first animated you.


ALEX TREBEK: Okay then. Tell us about what charity you’re playing for.


ALEX TREBEK: Yes, the Firefighters’ Association is a noble cause. All right, and our third contestant was going to be The Invisible Man but we couldn’t find him.


COUNT DRACULA: Children of the night, what music they make.

ALEX TREBEK: We were very lucky to get as a replacement the Creature From The Black Lagoon. Creature, I’ve been admiring your suit.

CREATURE FROM THE BLACK LAGOON: Thank you, Alex, it’s specially designed to pump water through my gills and keep my skin moist. It’s made by Armani. But I’d really like to talk about my charity.

ALEX TREBEK: Go ahead then.

CREATURE FROM THE BLACK LAGOON: It’s called River Run, an organization that purchases, preserves, and reclaims large parts of the Amazon rainforest. Once we lose biodiversity it’s impossible to get it back.

ALEX TREBEK: Well okay. Maybe later we can talk more about that suit. I get a little dry under these lights myself.

[Trebek crosses back to his podium.]

ALEX TREBEK: All right, we have one two-thousand dollar clue left in the Double Jeopardy round under the category Sci-Fi Food, and the clue is: Revenge is a dish best served cold, but this Klingon dish should be warm and wriggling.


ALEX TREBEK: That’s correct! I have to remind you again that we ask contestants to phrase responses in the form of a question, but since we’re playing for charity we’ll bend the rules again. Frankestein’s Monster, that brings your total up to seven dollars.

And now for final Jeopardy! The subject today is Renaissance Artists. Take a moment to think about that while you make your wagers.

And here’s the clue: this Italian artist was both a painter and a sculptor, known for both the Sistine Chapel ceiling and a statue of David, and he made a mean Teenage Mutant Ninja Turtle. Thirty seconds, contestants.

[Think! music plays.]

ALEX TREBEK: All right, let’s see your answers. Count Dracula, we come to you first. You had $200 and you wrote down…“is blood”.

COUNT DRACULA: Is answer to everything.

ALEX TREBEK: And you wagered two-hundred dollars, so I’m afraid that leaves you with nothing. Next we come to Frankenstein’s Monster. You wrote down “Abby Someone”. Interesting, but incorrect. What did you wager? Nothing.


ALEX TREBEK: So you still have seven dollars. Finally we come to the Creature From The Black Lagoon who looked like he couldn’t be caught with a score of fifty-four thousand, seven-hundred dollars. Uh oh, you’re shaking your head. It looks like you wrote “Michelangelo” then crossed it out and replaced it with “Donatello”. I’m sorry, that’s incorrect. And what was your wager?

CREATURE FROM THE BLACK LAGOON: I figured go big or go home, Alex.

ALEX TREBEK: You bet it all. Well, that means Frankenstein’s Monster is today’s champion. Congratulations!