Exactly 240 years ago today, on March 13, 1781, the astronomer William Herschel peered into his telescope and saw Uranus. That makes this an especially important Uranus Day, a major milestone for the great gas giant, and the first planet to be identified in the modern era. Although ancient astronomers had occasionally seen Uranus—it’s almost sixteen times bigger than Earth, which makes Uranus really impressive—it’s still almost two billion miles away. That’s why Uranus can be really hard to see.
Uranus is a gas giant which is mainly composed of hydrogen but it also has helium, methane, and small amounts of hydrogen sulfide, which is why under the right circumstances Uranus would be highly flammable. It also contains ammonia and other compounds in ice form, so you’d never want to smell Uranus.
Since two billion miles is a long way to travel you can experience Uranus here on Earth by visiting Uranus, Missouri, a small town along historic Route 66, although I think they should rename the stretch that leads up to and through Uranus the Herschel Highway. The town of Uranus is known for its fudge factory and other attractions, including The Axehole, a place where you can work out your frustrations, and the Sideshow Museum, where you can take in some of Uranus’s magic.
Promotional image from the Uranus General Store.
Or if you’re looking for something even closer to home you can stream Journey To The Seventh Planet, a 1962 film about a trip to Uranus, on Amazon Prime, or, if you have a telescope, you can go out and try and find Uranus. It’s currently in the constellation Aries, which I guess means Uranus was born under the sign of the Ram.
The following is by Allen Walker, reprinted with the author’s permission from Catchall, October 2019.
Part 1-In Search Of…
It’s Bessie’s fault that I stole a boat.
A lot of circumstances also led to it, but circumstances are notoriously difficult to hold responsible, and while I did the stealing I feel the burden rests on Bessie’s shoulders. Or would if Bessie had shoulders.
Let me back up a bit.
I was at the Beaver Creek Lodge, a sprawling complex that combined a frontier theme with the luxury of a golf resort on the shores of Lake Erie. Comprised of seven buildings of hotel rooms, a clubhouse, an enormous main center containing the lobby, pool, gift shop, fitness room, three restaurants, and a twenty-foot indoor waterfall, the lodge could easily double for Stephen King’s Overlook, only east of the Mississippi and with an eighteen-hole golf course instead of murderous topiary or hedge maze.
I had come to write about a golf tournament before three days of torrential rain cancelled the event and the golfer I planned to caddy for decided to stay on the drier west coast. The lodge was also playing host to the National Vizsla Specialty. “They have us so well-trained,” a bedraggled handler told me before being dragged away by her pack of copper-colored hounds. Picking up lunch at the gift shop I learned from the manager that the lodge regularly hosts dog shows. I’d just missed Afghans and Borzois, and Dalmatians would be arriving next week. The Hungarian horde was an alphabetical outlier.
I stayed thinking I might find something in the dog shows, and to take advantage of the amenities, if you could call them that. The hotel restaurant offered three-star prices and one-star service. My first night my medium-rare steak took an hour to arrive and could have been revived by a competent vet. The second night, for a change, I walked up the street to Bessie’s, a white cinderblock building with a funny-looking sea serpent with gold earrings on its sign.
I passed on a second plate of all-you-can-eat-perch since three-fourths of one was all I could eat, but the peanut butter and chocolate Buckeye Pie was positively ambrosial. Over a second piece I started to talk to Eunice, who told me she was the granddaughter of the restaurant’s founder. I asked her about the sea serpent.
“That’s Bessie.”
I was confused and said, “I though Bessie might be your grandmother.”
“No sir.” Eunice eyed me me owl-like through her oversized glasses. “Bessie is the Lake Erie monster.”
“Like Scotland’s Nessie?”
“Mm-hmm. Some people say Lemmy, but most of us around here say Bessie. I think there must be more than one. Biology, you know.”
Parthenogenesis in lake monsters did seem unlikely, and yet I’d never thought about it even though I was familiar with Lake Champlain’s Champ, and even British Columbia’s Ogopogo. I’d never heard of Bessie or Lemmy, though. Presumably this was because even Midwestern monsters don’t like publicity, but I decided not to share this theory with Eunice.
“My grandfather saw it, you know,” she went on.
“Bessie.”
“Yes sir. He was out there fishing for walleye early one morning. He said he kept catching perch. Then it came up out of the water. At least twenty feet long, he said, right alongside the boat.”
“With earrings?”
Eunice smiled. “No, the guy who made our sign put those on. My grandfather said it was more like a snake with a cold eye that looked right at him. Then it formed a circle out there, and a whole bunch of perch came up, and it disappeared.”
“Did he ever see it again?”
Eunice shook her head. “Never went back to that spot, wherever it was, neither, and from then on he only fished for walleye when the sun was up.”
After a second piece of Buckeye pie I started back to my hotel room. I felt a little nausea and the wind off the lake was bracing so I took a detour down to the marina where small boats bob next to narrow docks. One, powder blue with the Beaver Creek Lodge logo on its side, caught my interest. As a guest, I thought, there couldn’t be any harm in taking a self-guided tour, so I stepped aboard. I went to the front to check out the throttle and steering mechanism. Then, just out of curiosity, I looked under the, well, I assume even on a boat it’s called a dashboard.
When I was ten I spent the summer on my uncle’s farm in Nebraska, and one hot lazy afternoon my cousin Sam taught me how to hotwire a tractor. Well, I thought, a boat’s mechanism must be very different, so I was surprised that, when two ignition wires touched, the boat’s motor chugged to life. There were a few bumps since a boat is subject to inertia in the way that land vehicles aren’t. Fortunately the marina’s walls and docks were padded with tires. I expected someone to raise some alarm, but the row of brown townhouses to my left—I supposed now I should say “port”—and a shack to the starboard were impassive, as though asleep in the fading light. After a few more bumps I was out of the marina, then past the rocky shore. I pushed the throttle forward, headed for deep water and, I thought, Bessie.
Part 2—Lost
My cousin Sarah, half-sister to Sam through circumstances that are still murky to me, can find true north even in a cornfield. With the stalks high enough to block the sun she could still find her way as though she had a compass in her head. A few times Sam tried to convince me to leave her but she didn’t like to be alone. He’d run ahead but she and I would always find our way out first.
I let the boat chug along for, I think, a half hour or so, eyes to the empty horizon, one hand, then the other, to the wheel. When I turn to look back the way I’d come there’s only more open water, and I realize there’s no easy way back. In the east the moon that had been on the surface of the water like a deflating balloon has now it had slipped below. Among the stars overhead one, I know, is Polaris, the North Star, but I don’t know which one. I grew up in Kansas and shared an alma mater with Clyde Tombaugh, discoverer of former planet Pluto, but astronomy never interested me. A bright speck moves directly overhead. It’s probably a satellite, facilitating communications, pinpointing locations. My phone has a GPS device, and a compass app, but I’m out of signal range.
A sign at the marina said, “GPS devices are not allowed on private charters.” Captains jealously guarding their private fishing holes, I thought. A compass should still be standard equipment on the high seas, or lakes, but a search of the lockers along the gunwales only turns up a variety of lifejackets, a toolbox, an anchor shaped like a big white mushroom, and a dead spider, an unlucky stowaway. Also a flashlight. Turning it on only deepens the darkness.
After the summer we stole the tractor my uncle sold the farm, took a job in hardware, managed his diabetes as best he could. Sam and I only saw each other intermittently: when we drove through on our way somewhere else, or occasional holidays. I was home for Thanksgiving when he told me he’d bought a motorcycle.
“I think I might drive down to Marfa, maybe, or even Roswell,” he said. I could tell he was eyeing my chocolate cake that I suddenly didn’t want. “You want to come with? Maybe see some UFOs?”
It was tempting but I had school, exams coming up. Sam didn’t make the trip either.
It would be a decade before we’d talk again. Halfway across the country news still trickled through. Sam got a job as a messenger, working at the local library. He was putting on weight. He was in the hospital for a week, then ten days. After Sarah told me about the accident, how he’d lost his right leg below the knee, I called. He sounded tired, weighed down, but he brightened up strangely when he talked about the blackout before the crash.
“It was like swimming, you know? You go down and it’s just nothing and you never want to come up again.”
I didn’t know. I never was much of a swimmer, which just added to the irony that I was now on a boat. Surrounded by nothing, water and sky together to infinity, I thought, I never did ask why he wasn’t taking better care of himself. I never asked if he’d like to get together. Or how it was we took such different paths. Was it just circumstances?
“You know anybody who wants to buy a bike?” he went on. “It’s hardly been used aside from being busted up.”
I knew it would be the last time we’d talk. Some might call it a premonition. The truth is it was more of an educated extrapolation. When Sarah called the circumstances surprised me but not the news. Sam had been found in the back of a public library in Bridgeport. Paramedics carried him out. He’d had an insulin pen with him, but it was unused.
Lake Erie’s size, something I’m all too conscious of drifting in the middle of it, makes it difficult to search, and yet many of its two thousand or so shipwrecks have been rediscovered and explored. None of the expeditions has ever seen a monster, though, or even any evidence. It seems strange that an animal that, according to some stories, is twenty feet long and sheds scales the size of silver dollars, hasn’t left anything tangible. Actual silver dollars are easier to find.
I realize the boat is drifting and send the anchor overboard. The attached rope buzzes against the side until it goes taut. A tag where it hooks to the floor tells me the line is fifty feet, less than a quarter of Lake Erie’s deepest point. The waters, once famously polluted, are cold and must be very clear. I can see the anchor hanging greenly more than eight fathoms down. I wonder if it attracts any attention.
In the distance there’s a splash.
Part 3-It’s Alive!
When I asked Sam why we were hotwiring a tractor he said, “Something to do. Got nowhere else to be. You need a reason?”
There are at least as many ideas about lake monsters as there are lake monsters. Some believe they’re dinosaurs left over from the Cretaceous era. The long snake-like necks of Nessie, Ogopogo, and Champy make some think they’re plesiosauruses. Lake Erie’s only about four thousand years old, so it’s an unlikely spot to find a marine animal from three hundred million years ago. Based on the description Bessie could be a giant snake, like the Lagarfljót Worm and the Flathead Lake Monster. That seems unlikely too. Cold-blooded animals don’t fare well in cold water.
Some other ideas seem a lot more plausible. Lake sturgeon, a bona fide living fossil, can grow more than seven feet long and have a reptilian look. Schools of fish, even groups of otters swimming can look like a single large animal. Rotting logs that sink to the bottom build up carbon dioxide and can pop to the surface like a monster surfacing. When my uncle took us to Lake Minatare Sam tried to convince Sarah a floating log was a crocodile. She wouldn’t fall for it, but he was so earnest he nearly had me convinced. After supper we took a walk through the woods along the lake, just me and Sam. We heard something in the water.
“What was that?” he said. We both got quiet.
“Maybe there really are crocodiles here,” Sam whispered. “What do you think?” I walked with him down to the water. Sam knelt down.
“I think I see something. It’s—AAAGH!” He grabbed my leg and I screamed. Then we both laughed. Well, I pretended to laugh, and now, alone out here with no other sound but the gentle slap of waves, I really laugh.
That night as we lay next to each other in our tent Sam said, “What do you think it was splashing out there? We should see if we can find a boat and go out there and check.”
I didn’t want to. I know it disappointed Sam but I’d been scared enough of my uncle’s wrath over the tractor. I didn’t want to get grounded for sneaking out to the water. I suggested we go check out the lighthouse instead.
“That’s not a lighthouse,” Sam snapped. “That’s just an old tower they built for observation.”
“Observing what?”
“Maybe something lives out there in the lake.” That started Sam on the Lambton Worm, a giant snake that poisoned a well in England until it was killed, and we talked about it until we fell asleep.
The sky is getting lighter. Summer nights on Lake Erie are short but still chilly. I shiver. I still can’t see land but I think I see mist on the water. It moves like a living thing. Tulpas, an idea from Tibetan mythology, are creatures willed into being. They’re meant to be servants but can turn malicious. Why do we imagine monsters? As soon as the question comes to my mind an answer follows: to make sense out of chaos. Confronted with the strange, with things we’ve never seen before, we look for an answer. But they also fill a need for chaos. Order gives us comfort, but we need disorder to go with it. Maybe it’s also submission, admitting there are things bigger than ourselves. Another, more practical answer comes to mind: maybe navigators wrote “Here be dragons” on maps to protect their own routes, to keep away the wary. Maybe there are many reasons. Maybe we don’t need a reason.
The sun will be up soon. A thousand miles, more than three hundred leagues, and two time zones away the same sun rise over Sam’s memorial service. I would have been there but I had a golf tournament to write about, or maybe a dog show, or a lake monster to find.
I lean over the side and look down. It’s light enough that I can see my half reflection, but dark and indistinct. Is something down there looking back?
I realize my boat has no name. At least I didn’t check to see if it had one, probably printed on the stern, when I embarked. Why do sailors name their boats? As soon as the question comes to my mind an answer follows: because on the open seas they depended on their boats. On the water, away from land, a boat is a sailor’s whole world.
The sun will be up soon and I’ll know which way is east. I’ll have an even chance of knowing which way is south and finding my way to the right shore, or at least a signal, before the fuel runs out. I put a hand on the steering wheel.
There are also instructions on the statue’s base on how to do The Time Warp, the great dance that’ll take ya back to the moon-drenched shores of Transylvania, and a camera you can use to catch others doing The Time Warp if you can’t make it to New Zealand, and this is added to my list of approximately three thousand other reasons I’d really, really, really like to go to New Zealand, but that’s another story.
Why does Rocky Horror survive? It was a surprise hit on the London stage, a dud on the New York stage, and the film was a commercial and critical disaster that turned around into the biggest selling midnight movie of all time, developing a huge cult following, spawning a sequel, and I’m pretty sure it’s still a critical disaster because like anything campy it does everything wrong and does it brilliantly.
It’s also prescient in a weird way. It’s not just that Rocky Horror aggressively challenged gender norms. The sequel, Shock Treatment, would too, with Brad locked away like a fairy tale princess and finally rescued by Janet only after her rise and fall as a reality star. The never-to-be-made third film, Revenge Of The Old Queen would, if you can believe the bootleg scripts floating around, take things even farther: Janet goes her own way, Brad is dead and buried wearing nothing but a pearl necklace and high heels, and Riff Raff makes an unceremonious return to Earth, his teleporter putting him under a running shower head. If you wanna get really deep there’s even a fitting kind of symmetry in Tim Curry originating the role of Frank N. Furter but making a comeback of his own in the 2016 remake as The Criminologist—the life of the party reduced to a voyeur.
Way back in the early 1970’s when it all started O’Brien was riffing—no pun intended but let’s say it was intended anyway—on the glam rock of the time that killed the rhythm and blues rock that came before it (sorry, Eddie!), but he knew glam would burn out, or be taken down by whatever came next. When Riff Raff and Magenta crash Frank’s orgy they are the embodiment of punk rock, which makes it fitting that it’s the vengeful, murderous Riff who’s immortalized down under. Richard O’Brien knew the times they were a-changin’, and would keep changing. History doesn’t repeat but it does rhyme.
Because of the time difference whenever I check in on the Riff Raff statue it’s almost always tomorrow there, but it doesn’t matter. It’s always time to do The Time Warp.
This place is, like, really really off the beaten track. We wouldn’t have even found it if we hadn’t shut off the GPS. We started out on I-10 but it was late afternoon and truckers were going by us in the fast lane like they’d lost their minds. We got off at an exit, I don’t remember which one, and just started driving until it got dark. We were driving slow along this back road and could smell some kind of plant, or maybe it was churros or something. And we heard an old church bell off in the distance.
This place was really brightly lit and it looked nice so we thought it would be a good place to stop. Even after we saw the big gold Mercedes Benz up on blocks out front. We just thought that was funny. It didn’t seem like your usual B&B but that’s what we liked about it. There was a woman standing right out in front and we both thought, places like this can be really great or they can be terrible. Or kind of meh.
The front room was pretty nice too. They had, like, a ton of Tiffany lamps all around. All done up in what I guess would be 1920s style. The woman who met us at the door lit a candle and showed us to a room, which I especially thought was nice, very atmospheric, and there must have been some kind of party going on because we could hear voices down the hall saying “welcome, welcome.”
Here’s where things got kind of freaky. The room was nice, with Shaker style furniture, but there were mirrors on the ceiling. I swear, mirrors! On the ceiling! What was that about? And you know how hotels always used to have a Bible in the table next to the bed? Some still do but this place had The Magus by John Fowles. Maybe an English major or somebody stayed there last?
Our room had a nice window that looked out over the courtyard and there were a bunch of shirtless young guys out there dancing. Some guy in robes and a pointy hat like Gandalf I guess was playing a guitar out there and that’s what they were dancing to. Not that I’m complaining but they were kind of sweaty. It wasn’t loud but I wondered if they would keep going all night.
We were still looking at the room when the woman who checked us in said, “We are all just prisoners here of our own device,” and, wow, I got chills, but we just laughed it off. We figured it was, like the theme of the room or the place. Creepy but you go with it, you know?
They were still serving dinner so we went down. This guy in a navy double-breasted suit and a cap came over and asked if he could get us anything to drink. I asked for some wine and he said, “We haven’t had that spirit here since 1969.” Well, I don’t know what that meant because I asked for the 2014 Merlot they had on the list. I guess they were out of it because they brought a couple of glasses of some rosé chardonnay, but they poured it over ice. I was like, what is this, 1976?
Then I guess there was some kind of special event because we were invited into another room in the back. This part…I don’t really want to talk about it. It was dark and I think they let a live pig or something loose in the room. They had given us these knives and there was a lot of screaming. We ran for the door and got out of there fast.
We went back to the front room and there was this, like, statue in there. We thought it was just a statue but it turns out it was a robot. It came on and said, “Good night, we are programmed to receive.” Then it sighed and said something about the diodes down its left side hurting and how it had a brain the size of a planet. It told us we could check out any time but we couldn’t leave which could make anybody paranoid if you think about it.
Well, we got out of there and I didn’t think anything about it until I just got the credit card statement and we’re still being charged! I’m writing this while I’m on hold trying to get it taken off our bill.
All this because we took a wrong turn at Albuquerque.
I have a thing about islands. I’ve always been fascinated by them because I feel like they’re a place I could visit and know completely—the smaller ones, anyway. Technically Australia is an island but there’s a lot of ground there to cover. Small islands, though, are fascinating places, even though many are remote and tend to be difficult to get to. Actually their remoteness and the difficulty of getting to them is part of the attraction. That’s why I was really intrigued to hear about virtual tourism of the Faroe Islands. It’s not just a virtual tour either. If you want to “visit” you can interact with a local through a headset and camera. You can tell them where to go and even ask them to run or jump, which seems kind of obnoxious, and very trusting on their part, and I hope no one’s taken advantage of that. Fortunately if you do get “control” you only get it for about a minute, and the local person will offer suggestions about where they can take you. It’s a great way to have a brief but semi-guided tour of the area, and if I were visiting a place I’d rather have a local show me around than just try and figure out my own way. Some of the time, anyway. Sometimes when I’ve traveled I’ve also enjoyed going off on my own, which is also part of the appeal of small islands. It’s easier to feel like there’s less chance I’m missing something in a place where there’s not a lot of ground to cover.
Anyway I thought I’d take the excuse, like I need one, to consider some famous cinematic and literary blobs.
The Blob (1958)-The emperor of all blobs. The original film is one of my favorites. Some horror fans rank The Blob as the worst movie monster of all time because it lacks any personality, but the film cleverly makes a group of teenagers, led by Steve McQueen, the real focus of the story. It combines classic ’50’s paranoia and fear of conspiracy–see such non-blob related films as Invasion Of The Body Snatchers and Invaders From Mars–with an increasingly influential youth culture. It’s both an interesting meta-commentary on generational transitions and a reminder that the kids are all right. And it has the catchiest theme song of any horror film.
The Blob(1988)-The thirtieth anniversary remake doesn’t work quite as well for me, but it’s a fun ride, and the recreation of that famous movie theater scene is even more terrifying when update.
B.O.B. from Monsters vs. Aliens (2009)-Also known as Benzoate Ostylezene Bicarbonate B.O.B. proves that brains are overrated which, interestingly, is also true in the case of slime molds. They can learn and transmit what they’ve learned to other slime molds and just looking at real slime molds I can believe they’d also have the voice of Seth Rogen.
Jell-O-I’m including Jell-O on the list because it’s horrifying. I’m with Winston Zeddemore on this one, and also my grandfather who didn’t like Jell-O because it “looks nervous”. And it was some kind of bona fide mad scientist who looked at a horse’s hoof and said, “What if I boiled one of those and put fruit chunks in it?”
Lichen from Interstellar Pig by William Sleator (published 1984)-Even though the lichen from Mbridlengile in this young adult novel isn’t described as a slime mold or blob it behaves like one, bubbling along as it feasts on all organic matter in its path. If you know a young adult reader who likes science fiction give them the gift of this novel about a teenage boy who accidentally draws the Earth into a cosmic game of death and destruction.
I was born after the Apollo 11 moon landing. Not immediately after it, but it was recent enough that it was still a big event in peoples’ minds, a major accomplishment. Even as a kid I had a sense that there were only a few really big before and after moments in human history, events that are so big they’re transformative, that give us a chance to look at ourselves as a whole. The moon landing was one of the biggest, an event that, at a difficult time, gave a lot of people hope not just for a brighter future but a future that was close at hand. I was born into a world where it had happened, and where some older people looked at me and wondered what events I’d see in my lifetime. And it was still fresh enough that for my friends and I, even though we hadn’t been there, still shared in the afterglow. That’s why we turned every cardboard box, and the occasional bathtub, into a rocket to the moon, although I remember there was more of an emphasis on the countdown and liftoff than the actual landing. We’d crowd into a box and start the count at ten, mostly because that was as high as we could count but also because we were too impatient to start at anything higher. Then after watching and listening more carefully to launch footage which, in those days, we could only watch when one of the four TV networks deemed it ratings-worthy and not any time we wanted, we added “T minus” at the beginning even though we only vaguely understood what “minus” meant and had no idea what “T” was other than a letter in the alphabet. We dreamed of being astronauts ourselves, and I remember how excited I was when we took a school trip to the space center in Huntsville and got to see an exciting new generation of spacecraft, the Space Shuttle. We were assured it was an amazing technological breakthrough because it could go up into space and come back down again and again. I nodded solemnly even though I was thinking, that’s it? I was disappointed that it didn’t go to the moon, that it wouldn’t take me to the moon. When, I wondered, are we going back? There had been a few return trips after I came into the world but the last was Apollo 17, which returned to Earth a day before my second birthday.
Now, with the fiftieth anniversary of Apollo 11 looming I still wonder, when are we going back? And I’m trying to hold to the hope that it’s a matter of when and not if, although there are times that I’ve wondered whether we’re up to the job, whether it’s really our destiny. The idea that homo sapiens will spread out to the stars is a popular one in science fiction, and the idea’s appeal is so broad it seems like a given that it’s what all of us, or at least most of us, want. And we are a peripatetic species, which is why you find people everywhere. What we humans consider the most inhospitable regions of Earth, though—the deserts, the poles, Poughkeepsie—are paradise compared to space where we have to carry more than just an extra pair of underwear just to be able to survive. In his famous 1962 speech committing the United States to the goal of landing men on the moon and bringing them back safely John F. Kennedy said, “We choose to go to the moon in this decade and do the other things, not because they are easy, but because they are hard,” and he appealed to a human desire to overcome a challenge simply for its own sake. But is that desire to overcome a challenge, for lack of a better word, universal? It seems unlikely we’ll populate the stars without extraordinary cooperation. Maybe it’s not what everyone, or even most people, really want. Maybe the desire to reach out across the stars and even to make contact with life that must be out there is just a metaphor, and that our ultimate destiny really is here.
It’s possible I’m just impatient. There have been some extraordinary advances in the past fifty years, and there are still a lot of things here on Earth, including our need to keep in mind that technology has given us the means to wipe out every living thing, including ourselves, either through a single rash act or through slow degradation of the resources we depend on. It’s ironic that the word “lunatic” comes from another name for the moon when most of our self-destructive impulses are directed at Earth, and at ourselves. Overcoming the worst of ourselves is an admirable goal regardless of where we go from there.
In the meantime the moon isn’t going anywhere; even when it sets in the sky I see it’s rising somewhere else. Even when it wanes it’s just our shadow passing over it, and it will wax again. The sun, by most estimates, has about five billion more years to burn, and we’ve already accomplished so much in just a fraction of that time. I hope we’re up to the challenge.
Restaurant patrons in New York have a problem: they can’t find the loo, the head, the john, the restroom, or the bathroom. Apparently the problem is that old buildings are being turned into gourmet restaurants, because with rising rent prices making it harder for people to actually live in the city the most important thing New York needs is more places that serve upscale kale, quail, yellowtail, pale ale, and escargot. And that reminds me of the time I was in an English pub and asked the bartender where the bathroom was. “Why?” he asked sarcastically. “Do you need to take a bath?” I said, “Well, we are in Somerset…”
What I don’t understand is why New York diners are treating the hard to find heads—such as the Crosby Street Hotel restaurant that, according to what I’ve read, requires people to go downstairs and through five closed doors, one with a sign that says “Beware of the leopard”—as an inconvenience rather than a feature. Why isn’t an outhouse that’s actually outside and probably formerly someone’s house seen as charming, fun, part of the adventure of going out to a restaurant? After all one of the rising industries is what’s known as—I’m not making this up—the “experience economy”, which is a new term for something that’s been around forever and encompasses everything from amusement parks to safaris. As businesses look for new ways to compete and attract customers many add features that may not be part of the original plan but that add that extra flavor that draws people in and keeps them coming back. And with these added features businesses can charge more, claiming to offer more bang for your buck, even if it is more like extra bangs you aren’t sure you wanted for more bucks than you really wanted to spend, or, as my grandfather used to say, “All the extras are free until you get the bill,” but that’s another story. A really good example of this I can think of is an Irish pub that used to be in downtown Nashville—although given its location I guess technically it was about as Irish as Lucky Charms. Still I liked it because it was a nice place to get a pint of Guinness, and they’d decorated the place to look like an old-fashioned Irish pub, and one room was even elaborately designed to look like a Dublin street from the 1920’s. They did kind of overdo it by having the waiters dressed up as Irish writers, though—having Oscar Wilde tell you “The only thing worse than having the fish and chips is not having the fish and chips” was a little odd, although not as bad as James Joyce bumping into tables and dropping hot soup in your lap because he couldn’t see anything, or Samuel Beckett who just never showed up. And then there were the restrooms. They weren’t that different from the restrooms you’d find in most other restaurants, but they had a recording of an Irish comedian playing on an endless loop, and I’d get so involved listening to his jokes that when half an hour later I got back to the table the only explanation I could give was that there was this nun and this priest forced to sleep in the same room, and the nun kept asking the priest to get up and get her another blanket. My wife would then ask me where the restrooms were located and, as she always does when we’re in a restaurant, she’d say, “Don’t point. Just tell me.” And, well, all those little extras the pub offered were enough to make the slightly higher prices, not to mention the headaches of trying to find a parking space in downtown Nashville, and for that matter the headaches the next morning from too many pints of Guinness, worth it.
It was the exact opposite of a dingy little dive where I’d worked years earlier, part of a chain of dingy little dives, but this particular one did have an added feature. Any woman who came in alone didn’t have to dine alone, even if she wanted to, because the manager made a point of always joining her. He also always made a point of letting a cigarette dangle from his lips while he cooked to give everything a nice smoky flavor, but that’s another story. Some women, I think, paid extra just so he’d go away, and I think his wife did too.
So anyway to come back to my original point, assuming I can find it, I’m pretty sure it was around here somewhere—I should have taken that left turn at Albuquerque—the New York restaurants with distant restrooms should advertise that fact and give out maps with the menus, or GPS coordinates, to diners. They should make it a game, part of the experience du jour, and since diners might get hot and sweaty in their long search for a water closet they should include a place to take a bath.
It’s Uranus Day! On March 13th, 1781 the astronomer William Herschel announced that he’d discovered the previously unknown planet that would be named Uranus. Uranus had been seen before, even by ancient astronomers, but everyone thought it was just a faint star until Herschel turned his telescope toward it and took a good, clear look at Uranus. The addition of Uranus helped expand the solar system and people have been intrigued and puzzled by Uranus ever since. It’s not the biggest planet in the solar system or even the farthest but, as the third largest of the gas giants, Uranus is still pretty big, full of hydrogen and helium. There are twenty-seven known moons orbiting it and there are even rings around Uranus, although they’re faint and set at an odd angle.
It takes Uranus eighty-four Earth years to orbit the sun, and yet a day on Uranus is just a little over seventeen hours. Uranus spins really fast!
Source: Imgur
That’s all about the planet Uranus. I’d now like to focus on the town of Uranus, located just below the center of Missouri, along the historic Route 66. More of a tourist attraction than a small town it’s really home to a lot of fun attractions, although I don’t have any details about how many people regularly pass through Uranus. The world’s biggest belt buckle is there–it’s more than ten feet tall and would probably fit a pair of pants just big enough to hold all of Uranus. There’s a fudge factory in Uranus, and a place called The Axehole where you can practice competitive axe-throwing and try to hit a target. There was even a short-lived newspaper, The Uranus Examiner, which unfortunately upset the mayor of a nearby town who thought it would encourage people to make jokes about Uranus. It just seems like a fun and interesting place, and what kind of people would make fun of Uranus?
There’s a Nashville tour bus that passes in front of the building where I work. In the summer months it’s open and people hang out of the windows. I wave at them as they pass by. Some wave back which makes me happy. I want visitors to enjoy themselves and feel welcome and think of this as a friendly place then go home because there’s too much traffic, but that’s another story. Sometimes when the buses pass by me they’re completely empty, and you might wonder why they bother, but people don’t buy just one tour; they buy an all-day ride and can hop on and hop off wherever they want. I’ve been at the Parthenon when the tour bus is there and overheard people say, “We’ll get the next one.” So, unlike most tours, they’re not bound by the schedule can stick around and look spend time at a specific place that interests them.
It’s winter now and the buses that go by have clear plastic windows that hang down like curtains. I can sort of make out people behind them but if they wave back I can’t see it. And the buses have a wreath on front, which is something new, or at least something I’ve never seen before.
One day before a meeting a coworker and I started talking about the tour buses and travel in general, and I said I like small towns and I’m intrigued by islands–that if I could travel as much as I wanted places like New Caledonia, Tuvalu, and Yap are at the top of my list.
“Are you a completist?” she asked. I’d never heard that term before but I loved it. Yeah, I like the idea of a small place because I hate going somewhere and feeling like I’ve missed things. There are places I want to go back to–Chicago, Cleveland, and Los Angeles are high on my list–because there are still things in those places I want to see. And that’s one of the challenges of travel: do you go somewhere you’ve never been or back to someplace you’ve seen for something new? Because everywhere there’s always something new. Every place is always changing, every place has something you’ve never seen before. Even Nashville, where I’ve lived my entire life, has constant surprises.
Maybe one of these days I’ll take that tour to see what the city has to offer that I haven’t seen before, and by taking the bus I won’t add to the traffic.