Ramble With Me.

Dear John…

Restaurant patrons in New York have a problem: they can’t find the loo, the head, the john, the restroom, or the bathroom. Apparently the problem is that old buildings are being turned into gourmet restaurants, because with rising rent prices making it harder for people to actually live in the city the most important thing New York needs is more places that serve upscale kale, quail, yellowtail, pale ale, and escargot. And that reminds me of the time I was in an English pub and asked the bartender where the bathroom was. “Why?” he asked sarcastically. “Do you need to take a bath?” I said, “Well, we are in Somerset…”

What I don’t understand is why New York diners are treating the hard to find heads—such as the Crosby Street Hotel restaurant that, according to what I’ve read, requires people to go downstairs and through five closed doors, one with a sign that says “Beware of the leopard”—as an inconvenience rather than a feature. Why isn’t an outhouse that’s actually outside and probably formerly someone’s house seen as charming, fun, part of the adventure of going out to a restaurant? After all one of the rising industries is what’s known as—I’m not making this up—the “experience economy”, which is a new term for something that’s been around forever and encompasses everything from amusement parks to safaris. As businesses look for new ways to compete and attract customers many add features that may not be part of the original plan but that add that extra flavor that draws people in and keeps them coming back. And with these added features businesses can charge more, claiming to offer more bang for your buck, even if it is more like extra bangs you aren’t sure you wanted for more bucks than you really wanted to spend, or, as my grandfather used to say, “All the extras are free until you get the bill,” but that’s another story. A really good example of this I can think of is an Irish pub that used to be in downtown Nashville—although given its location I guess technically it was about as Irish as Lucky Charms. Still I liked it because it was a nice place to get a pint of Guinness, and they’d decorated the place to look like an old-fashioned Irish pub, and one room was even elaborately designed to look like a Dublin street from the 1920’s. They did kind of overdo it by having the waiters dressed up as Irish writers, though—having Oscar Wilde tell you “The only thing worse than having the fish and chips is not having the fish and chips” was a little odd, although not as bad as James Joyce bumping into tables and dropping hot soup in your lap because he couldn’t see anything, or Samuel Beckett who just never showed up. And then there were the restrooms. They weren’t that different from the restrooms you’d find in most other restaurants, but they had a recording of an Irish comedian playing on an endless loop, and I’d get so involved listening to his jokes that when half an hour later I got back to the table the only explanation I could give was that there was this nun and this priest forced to sleep in the same room, and the nun kept asking the priest to get up and get her another blanket. My wife would then ask me where the restrooms were located and, as she always does when we’re in a restaurant, she’d say, “Don’t point. Just tell me.” And, well, all those little extras the pub offered were enough to make the slightly higher prices, not to mention the headaches of trying to find a parking space in downtown Nashville, and for that matter the headaches the next morning from too many pints of Guinness, worth it.

It was the exact opposite of a dingy little dive where I’d worked years earlier, part of a chain of dingy little dives, but this particular one did have an added feature. Any woman who came in alone didn’t have to dine alone, even if she wanted to, because the manager made a point of always joining her. He also always made a point of letting a cigarette dangle from his lips while he cooked to give everything a nice smoky flavor, but that’s another story. Some women, I think, paid extra just so he’d go away, and I think his wife did too.

So anyway to come back to my original point, assuming I can find it, I’m pretty sure it was around here somewhere—I should have taken that left turn at Albuquerque—the New York restaurants with distant restrooms should advertise that fact and give out maps with the menus, or GPS coordinates, to diners. They should make it a game, part of the experience du jour, and since diners might get hot and sweaty in their long search for a water closet they should include a place to take a bath.

Look Around.

There’s a Nashville tour bus that passes in front of the building where I work. In the summer months it’s open and people hang out of the windows. I wave at them as they pass by. Some wave back which makes me happy. I want visitors to enjoy themselves and feel welcome and think of this as a friendly place then go home because there’s too much traffic, but that’s another story. Sometimes when the buses pass by me they’re completely empty, and you might wonder why they bother, but people don’t buy just one tour; they buy an all-day ride and can hop on and hop off wherever they want. I’ve been at the Parthenon when the tour bus is there and overheard people say, “We’ll get the next one.” So, unlike most tours, they’re not bound by the schedule can stick around and look spend time at a specific place that interests them.
It’s winter now and the buses that go by have clear plastic windows that hang down like curtains. I can sort of make out people behind them but if they wave back I can’t see it. And the buses have a wreath on front, which is something new, or at least something I’ve never seen before.
One day before a meeting a coworker and I started talking about the tour buses and travel in general, and I said I like small towns and I’m intrigued by islands–that if I could travel as much as I wanted places like New Caledonia, Tuvalu, and Yap are at the top of my list.
“Are you a completist?” she asked. I’d never heard that term before but I loved it. Yeah, I like the idea of a small place because I hate going somewhere and feeling like I’ve missed things. There are places I want to go back to–Chicago, Cleveland, and Los Angeles are high on my list–because there are still things in those places I want to see. And that’s one of the challenges of travel: do you go somewhere you’ve never been or back to someplace you’ve seen for something new? Because everywhere there’s always something new. Every place is always changing, every place has something you’ve never seen before. Even Nashville, where I’ve lived my entire life, has constant surprises.
Maybe one of these days I’ll take that tour to see what the city has to offer that I haven’t seen before, and by taking the bus I won’t add to the traffic.

Midsummer’s Not Over Yet.

The Nashville Shakespeare Festival’s annual Shakespeare In The Park play this year is A Midsummer Night’s Dream. The set looks very impressive and detailed. It’s more than a little surprising to me that palatial doors form such a large part of the set and there’s only a little greenery on the left and right. This is strange because if you know the play you know that most of it takes place in the woods with events in Theseus’s palace only happening at the beginning and end. In the past the NSF’s productions have used more open, minimalist sets, so it’ll be interesting to see if the background changes as the play progresses.

I love the view from the stage.

If there’s a downside it’s that they’ve done A Midsummer Night’s Dream. And done it. And done it. This will be the fourth production in its thirty year history, although I get it. They’ve done some of the darker plays—like a brilliant and haunting production of the Scottish play—but when you’re hanging out in the park, maybe with your kids, you want to watch something light as the sun goes down. And actress Denise Hicks, who’s now the NSF’s director, played Puck in the troupe’s first production back in 1994. It was her idea that the spirits use tai chi moves and at dramatic moments would stomp on the stage, making the unearthly characters menacing, but in a good way. So if I happen to have offended think but this and all is mended: there’s always new life in an old play.

Time To Leave.

The Vanderbilt University campus is a national arboretum. When my mother was a student at what was then Peabody College—it’s since been incorporated into Vanderbilt—she took a botany class and had to collect the leaves of one hundred different trees. The professor directed the class to Vanderbilt and said, “Trust me. You won’t have any trouble.” And just a few years ago a friend of mine was visiting Nashville and I gave him a tour of the campus, which I really enjoy doing. He kept looking at all the trees and green spaces and saying, “This is what a college campus should look like!” He works for another university that shall remain nameless, but that’s another story.

Among Vanderbilt’s many trees are several gingko trees, including at least one that’s over a hundred years old, so here’s my final entry in the Black & White Photo Challenge, which I call, Gingko? Why Don’t You Go?

Thanks to Tom Being Tom for nominating me and now it’s time to go out on a song.

There’s A Way Out.

My Scout troop once went spelunking in a wild cave. I’d been to Mammoth Cave and Cumberland Caverns and thought caves were really cool–although after seeing the movie The Descent I may not ever go in a cave ever again, but that’s another story—but those hadn’t prepared me for the darkness and strangeness of a cave that could only be entered through a narrow crevice that swallowed the beams of our flashlights. We had a guide leading us, by the way—the cave was wild but had been thoroughly explored by professionals. Amateur spelunking is a bad idea which we were reminded of when we came into a large room. At its center was a stalagmite that had been built to about four feet high by the slow drip of mineral-rich water from the ceiling. Then, at some point, the water’s composition changed and began to wear away the stone so the top of the stalagmite was now a shallow basin.

“We call this Injun Joe’s Altar,” the guide told us. I had just read The Adventures Of Tom Sawyer so this was very eerie.

Anyway here’s today’s entry in the Black & White Photo Challenge, a little number I call Overarching Concerns.

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