Happy Birthday.

Everybody sing!

Intimations Of Mortality.

So I’m marking another elliptical spin around the sun, another year in the rearview mirror. This isn’t a milestone year so it’ll be a quiet affair: dinner, maybe a few drinks, a quick jaunt to Sri Lanka and back. When we’re young every birthday is a major event. Turning one is worthy of celebration, even if most of us don’t remember it, at two we’ve doubled our age, at three we’ve tripled it. At four, five, and six we really start to explore the world on our own, make friends, try on and discard personas. Ten marks the beginning of the double digits but the next big step isn’t until thirteen, considered in many cultures to be the age of adulthood, although its onset usually starts earlier. At sixteen, in the US, you can drive a car, at eighteen you can vote, and at twenty-one you can legally drink. Then the way stations only come once every ten years: thirty is when you say you’ve got the whole adulting thing figured out, even though you haven’t and never will, and at forty you’re “over the hill”. The Eternal Footman who holds your coat and snickers stands a little closer. Fifty is the half-century mark and from there, well, the years roll on at the same rate but they seem to go by faster.

Thirty years ago on another birthday I wrote this poem:

I’d like to sleep late,
Warm in my cocoon, stretch,
Before throwing the sheet
Off like a lost ship’s hatch
And like a single sailor stand
Looking out over miles of empty sea
Without a single stretch of land
To disrupt any possibility.
The reality’s more mundane:
Alarm clock, dark fumbling, shower.
All through it my brain
Mutters that I have work in an hour.
A birthday passed is like death:
A miracle without fanfare.
One moment you’re drawing breath,
The next you only once were.

It’s morbid but the truth is I really do think of birthdays as something to celebrate. The older I get the more I come back around to every one being a milestone, another year that I feel lucky just to be here.

It’s The Journey.

It’s my birthday today and, well, I always have trouble with the question, “What do you want?” Obviously I appreciate the thought and I want to be realistic, but if I could be completely unrealistic I’d want to take a train trip from Portugal to Singapore. I realize that’s not completely unrealistic since it is now possible, but I don’t want to wish for the impossible or even nonexistent.

The world’s longest train trip. For now, anyway. Source: BoingBoing

A three-week train trip sounds amazing to me. Maybe parts of it would be tedious or boring but part of the fun of train trips, and, I think, adding to the romance of train travel, is that there’s a constantly shifting landscape out there. Trains also offer a certain amount of freedom within their confines. Unless you’re the conductor you’re not driving so you can wander up and down the cars. There’s usually more space than there is on an airplane, and it’s easier to change seats.

And consider this: if an airplane’s engines stop working that’s it. The pilot or pilots will do the best they can to make a safe landing but it’s still at the mercy of gravity. Even a boat has its downside—specifically if it goes down and you end up hoping there are enough lifeboats to hold everyone. I don’t mean to downplay the severity of train crashes, which can be terrible, but if a train’s engine breaks down or it’s just stopped by leaves on the tracks then you still have a pretty good chance of walking away. Train travel may be slower but keeps you close to the ground.

Thirty years ago I took an overnight train trip from Moscow to St. Petersburg. St. Petersburg, Russia, specifically—a train trip from Moscow to St. Petersburg, Florida would have been more than just one night, not to mention a spectacular feat of engineering, but that’s another story. It was an old style train, mostly wood, rickety, and a tall, thin gentleman came by and brought me some tea in a glass cup with a metal holder.

I read some but I also spent a lot of time just watching the snow-covered countryside, dotted with lights of small towns off in the distance, slip by, and I wondered what was going on in those homes that kept their fires burning all night. I slept some, and at one point I went to the end of the car and stood in the cold, wintry air. I could look down and see the tracks and gravel, and how fast the train was moving, but when I looked out at the snow it all seemed impossibly still.

Yeah, I definitely want three weeks of travel like that.

 

I Love The Theater.

Source: Nashville Downtown

Live theater’s had a rough couple of years obviously, and it’s something I miss even though I didn’t really think about it until I read that the Nashville Children’s Theater is celebrating its 90th anniversary. So it’s almost as old as I am! And it’s really responsible for instilling a love of theater in me. Or maybe I always loved theater and the NCT just gave me what I wanted.

My memory is hazy but I think from kindergarten through sixth grade we had a school field trip to see at least two shows a year there. One of the earliest, maybe the earliest, was a production of Pinocchio that I saw in kindergarten and remember vividly because, much as I hate to say it, it was awful. Pinocchio was a whiny little jerk, and while the point of the story is that he starts out bad and ultimately redeems himself, thus becoming a real boy, the stage Pinocchio was still so annoying even at the end I wished he’d stayed a puppet. The Fox and the Cat, the story’s main villains, weren’t outsiders but life-size toys Gepetto had made and that somehow turned evil, and the giant whale that swallows Gepetto and Pinocchio wasn’t giant at all. It was another toy that Gepetto had built and was set against the stage wall. To go inside it Gepetto and Pinocchio had to get down on all fours and crawl in through the mouth, and it was about then that I started wondering why Gepetto had filled his workshop with psychotic toys that were all out to murder him, but that’s another story.

Fortunately the theater redeemed itself with a production of Really Rosie! that I loved even without knowing that it was a collaboration between Maurice “Wild Thing” Sendak and Carole King, whose album Tapestry is almost as old as I am.

Every other play I remember seeing at the Nashville Children’s Theater was great. They put on a wide range of plays, from standards, like an adaptation of The Emperor’s New Clothes, set in China and, if I remember correctly, with an all-Asian cast, to a contemporary drama about a girl dealing with her widowed father dating a new woman, to a series of extremely avant-garde mime sketches. And again and again the plays I saw taught me that, with a bit of suspension of disbelief, anything is possible on stage.

And even if they hadn’t been great they were still field trips so they got us out of school for a couple of hours. That made them something to look forward to even though we usually came back more wound up than when we left, so I’m sure the teachers dreaded that. I remember coming back from one and as I stepped off the bus I said, “I’m so happy to be back I could kiss the ground!” Then I got down and kissed the ground and got up with dirt on my face.

“Aren’t you too old for that?” my teacher asked.

Never.

Check out some scenes from their amazing production of A Wrinkle In Time which I didn’t see because I was too old.