The Weekly Essay

It’s Another Story.

Night Watch.

Orion was high in the west last night before I went to bed. Jupiter, the brightest object in the sky right now with only a very thin crescent Moon waning towards new, was up too, and almost directly overhead was Mars. I know a lot of people think of Mars as our next step into the universe now that we’ve been to the Moon, though we haven’t been back in more than five decades now. In so much science fiction Mars is inhabited, or at least habitable, a home away from home for terrestrial life, but last night looking toward the brighter planet I thought about how Jupiter is really the New York of our solar system: if we can make it there we can make it anywhere. Not that Jupiter even has a surface we could land on, and if it did the gravity would crush almost anything we’d send down, but it’s got dozens on moons we could settle on if we could overcome a few challenges like creating a breathable atmosphere, producing food, dealing with the intense radiation—Jupiter spews out more energy than it receives from the sun—and also hauling almost everything we’d need more than a billion miles through space. Getting to Jupiter makes the Oregon trail look like a hop, skip, and a jump.

Then I turned toward Orion, the constellation of the hunter, the second constellation I learned to recognize after Ursa Major. I was never very good at connect-the-dots puzzles but there’s a certain clarity about constellations. After seeing a picture of the Orion constellation in a book I just looked up one night at the right time and there it was, literally right before my eyes, a distinct figure, not quite pareidolia but close.

Winter is hunting season, when herds are culled and freezing temperatures and snow mean meat’s on the menu so it’s fitting Orion is high in the sky. But Orion is at its peak I also know it means winter’s coming to an end, the grass and hibernating animals will be waking up, the spring birds will be coming back. The squirrel nests, big clumps of dry leaves taking up space in the empty branches of trees, will be replaced by green leaves. The horizon I can see now will be obscured by greenery, and the sky directly overhead, so clear right now, will get hazy with humidity.

It was a warm night for late February and I stood out there for a long time thinking about the planets, the stars, and also how all of us, even when completely still, are always in motion.   

Then And Now.


The difference in taking cough medicine when you’re a kid versus an adult:

Kid: You don’t remember taking it before but something about that shimmering spoonful of liquid that manages to be both purple and brown at the same time triggers fear in you. This is a trick. They’ll have to strap you down and pry your mouth open before you’ll let that in your mouth.

Adult: It can’t possibly be as bad as you remember.

Kid: Bleh, that is the most horrible, awful, disgusting thing you’ve ever had in your mouth, and you were once tricked into trying kale.

Adult: How is it worse than you remember? Seriously, that is the worst thing you’ve ever had in your mouth. Okay, there was that one time in college at a party when what you thought was a rum and Coke was the spit cup being used by that one guy who chewed tobacco…no, this is worse.

Kid: It’s been ten whole minutes. How is the horrible taste still there? At this point you’d drink anything, even water, to get rid of it. And when is it supposed to make you stop coughing?

Adult: It’s only been ten minutes. Is it too early to drink some water? 

Kid: You’re never taking that crap ever again. You’ll never risk getting a cold. You’ll never go outside. What’s that? Your friends are sledding. Now you remember why you agreed to take it in the first place. Where’s your coat? Never mind. You won’t need it. But first you’re going to sit down on the couch for a minute.

Adult: The label says “may cause drowsiness”. When is that supposed to kick in? Some sleep would be nice for a change. Must not work on you for some reason. You’ll just sit down on the couch for a minute.

Kid: Why is it dark? Oh, it’s been about four hours. Oh no. You feel another cough coming. You have to suppress it or they’ll give you another dose.

Adult: How are you still tired after sleeping for more than four hours? Oh great, here comes more coughing. Time to take some more. It can’t be as bad as you remember, right?

Kid: Maybe if you scream enough next time you’ll get the kind that tastes like candy.

Adult: Next time you’re buying the kind that tastes like candy.

Beware Of The Flowers.

Valentine’s Day is a time for giving flowers because nothing says love and affection like giving someone something that’s going to wilt in hours or days, or, if it’s a living plant, that they’ll have to take care of but at least isn’t dying. Roses are the most popular, especially red roses, because nothing says love and passion like something that’s ridiculously difficult to cultivate, doesn’t like to get its leaves wet, and, if not handled correctly, will stab you.

The symbolism of roses is one of the last lingering remembrances of a time when there was a whole language of plants and flowers. In Victorian England, and even earlier, there were flower glossaries, like decoder pins. A bouquet could send a message, or several messages, and depending on what book you were using, could even mean contradictory things. An amaryllis could mean “pride” or it could mean “timidity”. I’m not sure if it would be the giver or the receiver who was timid. I guess it depends on whether or not you sign the card. Dahlias could mean “elegance” or “dignity”—I’m not sure why they’re so special—or they could mean instability, and that seems like it’s going too far in the other direction. Anemones—the flower—meant “frailty” or “sickness” or “expectation” so you had to be really careful about giving those. A potato meant “benevolence” and a cactus could mean “humor” or it could mean “imminent danger”, and I guess it depends on whether you were about to sit on it. Passion flowers meant “piety” and not, well, “passion”, and while a red rose meant love a yellow rose could mean “jealousy” and a white rose could mean “I am worthy of you” which I think would be up to the recipient to judge. A striped carnation meant “refusal” and I hope the person who got them knew that. Meadow saffron, a crocus that only grows in Britain and Ireland, meant “my happiest days are behind me” which seems weirdly specific, but then it’s got a limited range. And some are, I think, more understandable. Violets meant “shyness” because they like to grow in shady places, and a shy person might still be described as “a shrinking violet”. Then there are pansies which simply meant “thoughts” and I have no idea what they were thinking. Calling someone a pansy is still supposed to be an insult, meaning they’re weak or, if they’re a man, effeminate, but I see pansies blooming in the bitter cold which is why I think they should mean “survival in adversity”, or just the botanical equivalent of a middle finger to anyone who thinks “effeminate” is an insult.

In 1875, at the same time that Victorians were sending all these flower messages,  Charles Darwin published a book called Insectivorous Plants. It didn’t get as much attention as his previous work on evolution which is a shame because it could have opened up a whole new area of flower language. The Venus’s flytrap does show up in flower dictionaries—it meant “deceit” and not “cleverness” or “ingenuity” which would have made more sense if you ask me. Sundews, which were ignored, could have meant “I’m stuck on you” and the gift of a pitcher plant would be a nice way to say “I’d like to drown you in digestive juices”.

And that reminds me of the time I texted a musician friend, “The only thing better than roses on your piano is tulips on your organ.” He texted back, “I’M IN CHURCH RIGHT NOW!”

Fire And Ice.

It’s warm for February, a meteorological island where I don’t even need to put on a jacket before going out. The weather’s been brutally cold, and we’ve even had an unusual amount of snow, so this sudden spike, while nice for those of us who tend to be more cold-blooded, is also unsettling. February shouldn’t feel like May, though the coming May will probably, at least at times, feel like August, when it really should feel more like September. It’s even possible that May will feel like February, which will be even worse.

There were times like this when I was a kid, brief warm spells in the middle of winter, the bare trees and beige spiky grass contrasting sharply with the ambient warmth. My parents insisted I still go out wearing at least a jacket. It was still winter, after all. That’s what the calendar said and that mattered more than the thermometer. At any moment the heat could break, like a fever, like the time my own temperature spiked and I stayed in bed all day, shivering even as my body burned,a thick quilt pulled up to my forehead, and hours swirled away into a dark funnel. And the heat did break, eventually, cold rushing back into the world the way it did on those late nights when I’d open my window to listen to the darkness.

The sky then was always cloudy when it was warm, another disjunction. The sky looked like winter even if the ground didn’t feel like it. It’s cloudy now, too, the flat dull gray of cold weather, of a sky that doesn’t have the energy to do anything but spread itself out and close its eyes. 

This afternoon, though, there was a change. The clouds curled up, still swaddling the sun but there was an azure expanse overhead. And off in the distance there was the faintest rainbow, barely together, a block of the spectrum against a flat backdrop of ash.

I’m not sure how to feel about this. We have words for how the winter cold makes us feel, and the summer heat, but a warm February has me tongue-tied. How should I feel? I ask the sky as though I need some external guidance, something to tell me what it means. But I know what it means. The world is in flux, in motion, and things will change even as I am, for the moment, frozen.

 

Winter Stillness.

There’s no silence like that of a late winter night. It’s not muffled, as it’s so often described, though if you’re out on a late winter night you may be wrapped up in layers of wool and cotton. The silence of a late winter night is as clear and smooth as the surface of a frozen pool, and can be as sharp as the cracked edges of that same ice. Even the water in the air clings to the ground so that even a cloudy sky is deeply detailed. The stars are brighter, crystals shimmering. Jupiter directly overhead is like a lamp, and even Saturn, hanging just a few degrees away, is so distinct its rings seem like they must be visible even without a telescope.

In spring, summer, and even into late fall every night is alive all night. Crickets and katydids sing to each other, tree frogs blurp away on damp limbs, and as the night spins toward morning, even before the first hint of sun, birds start to chirp their annoyance that they’re awake before daylight. In winter there’s mostly silence. There may be the snort of a deer in the trees, the rustle of a possum or coyote, the cry of an owl. Lonely cars may hiss along the road. These sounds disappear as quickly as they come, swallowed by the stillness. It’s possible to stand outside on a late winter night, see a meteor flare across the sky, a whole world burning, and feel only the numbness. It’s possible to stand outside on a late winter night and believe that the world has dropped to absolute zero, the state where matter itself ceases all motion. It’s possible to believe the world is no longer living but is like the moon that slides like a scythe across the sky. It’s possible to stand outside on a late winter night and believe time itself has stopped.

There’s a folk tale of a man who went to the town square on a late winter night and confessed all his sins to the sky. There was only silence, his own voice muted by the stillness. When the spring thaw came his words dropped from the air, heard by everyone; for months they’d been frozen in place.

It’s only a story but I can stand outside on a cold winter night and believe it’s possible, that even words can freeze and hang in the air. There’s the threat of frostbite, of numbness, of hypothermia. I don’t want to stay out in it long but I can stand outside late on a cold winter night and feel there’s true magic in the world, that it comes to the surface when everything else is stilled.

I just wish it weren’t so damn cold.