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Signing In.

nautilusWelcome! We’re so glad to have you come and stay at our charming beach house. We purchased Hippocampus, as we like to call it, in 1998 and have tried to make regular improvements and updates based on guest feedback. Please sign our guestbook and let us know if there’s anything you’d like to see on return visits!

 

 

March 23

The views are wonderful. Tom and I came here to get away and really love the place. We’ve even spent some time on the beach. The only problem is the satellite TV keeps going out. We can get some of the local channels but we’re missing our cable shows. A couple of times it’s been out for over an hour. This really needs to be fixed. Thank you!

April 24

The views are wonderful. I love the layout of the place. Everything is easy to find and I have no trouble getting around. The jigsaw puzzles have really helped me pass the time, and so has the selection of books you have in the front room. The weather hasn’t been so good but I don’t think you can do anything about that. I haven’t been able to go outside or explore the area anyway. Why don’t the bathroom windows open?

P.S. Please send help. I’ve been kidnapped and am being held here.

May 25

Once Conseil and I settled in we quickly became accustomed to our quarters. It took our companion Ned Land some time longer; for three days he paced back and forth across the deck, harpoon in hand. This behaviour struck Conseil and I as odd but Mr. Land’s continued readiness turned fortunate on our eighth day. During a predawn high tide the house was attacked by a giant squid. It wrapped its tentacles around the lower pilings and threated to drag our Toyota into the waves. It might have succeeded had not the dealer, a certain Captain Nemo, convinced us to buy an anti-theft measure. With a hand-held device Conseil could remotely electrify the car’s exterior. This caused the beast to release our vehicle. We were then able to use hatchets, Mr. Land’s harpoon, and the broken coffee maker to drive the beast back whence it came. I must also concur with previous occupants: the views are indeed wonderful.

June 26

Cor blimey, we fought we ‘ad enough quid ter last the ‘ole recce but one night s’them pinya colliders down the local left us near skint. Still it were nice ter sit out on the veranda and ‘ave a cuppa and watch the pretty birds. Dem pelicans and gulls and wot was int’resting too. Know what I mean, squire?

-Sincerely,

Lord Hallstingchumsworthington, O.D.B.

July 27

Love the place. Great swimming. Easy access to beach. Lots to do in town. Nice shopping. Surfing is good. Restaurants are clean. Enjoyed ice cream. Historic sites very educational. Even good for kids. Tried parasailing. Fun! Lighthouse. Birds. Very warm. Not much nightlife. Will definitely. Wonderful views!

August 28

DIDN’T EXPECT THE BEACH WOULD HAVE SO MUCH SAND

In The Event Of An Emergency, Please Call…

"Sarah, can you get me Mount Pilot?"

“Sarah, can you get me Mount Pilot?”

Sitting in the back of the bus has its advantages. I could see the guy coming from almost the front, stopping to say something to every person he passed. As he got closer I could hear what he was saying: “Can I use your phone?”

Please, I thought, please let someone before me say yes. If he got to me I’d feel awkward because there was no one behind me and while I didn’t recognize the guy there was a chance he’d become a regular rider. If I saw him every day, or even a few times a week, there’d be the same awkwardness and I’d have trouble explaining to my wife that we had to move so I could start taking a different bus route.

And then someone right in front of me said, “Sure” and handed the guy their phone. Lucky break. But, I thought, if he’d gotten to me I would have lent him my phone. If I didn’t have a phone and needed to make a quick call to someone I’d hope for a kind stranger, and let me emphasize I’d make the call as quick as possible.

The guy dialed and sat down.

“Hey, is Gary there? He’s not? Is this Bianca? Hey, how are you doing? Yeah, I’ve been at the public library all day. Let me tell you what I read…”

The guy had been reading some really interesting stuff at the library, and it sounded like Bianca had some lengthy opinions of her own about it.

“Is Dave around? Oh, yeah, let me talk to him.”

Dave had a surprising amount to say.

“That’s great. Thanks Dave! Put Bianca back on.”

I listened with eager anticipation wondering if Gary would arrive in the midst of this conversation.

“Well listen, I’ve enjoyed talking to y’all but my bus stop is coming up. Yeah, I’ve gotta get going. Tell Gary I called if he comes in.”

The total conversation clocked in at over fourteen minutes. I wonder what would have happened if the person who lent their phone had wanted to get off before the guy got to his stop. Or, for that matter, how Gary was supposed to call someone who didn’t have his own phone.

If someone ever asks to borrow my phone I’ll only let them on the condition that Gary is there to answer.

Everybody’s A Critic.

junkIn many ways, the work of a critic is easy. We risk very little yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism which is fun to write and to read. But the bitter truth we critics must face is that in the grand scheme of things the average piece of junk is probably more meaningful than our criticism designating it so.

If you’ve seen the film Ratatouille you recognize those lines spoken by the appropriately named critic Anton Ego. I think about them sometimes when I write about graffiti. I’ve been writing about it for a year now. That seems like a long time even though the older I get the faster years go by, but that’s another story. I didn’t think I’d write this much, but I’ve found a lot to write about, and I’m especially grateful to those who’ve sent me their pictures (side note: please send your graffiti pictures to freethinkers@nerosoft.com!). Sometimes I’ve had to fudge it and write about things that aren’t graffiti, but when I started I really had no idea how much there was out there.

Even though I’m not a professional critic–just a guy who knows a little bit about art–it’s made me think a lot about what it means to be a critic. And I’ve thought about why I skip over some graffiti I see. Some of it I just don’t like, and even though I’m a critic I try to take the if-you-can’t-say-something-nice-keep-your-big-bazoo-shut approach. Something Anton Ego doesn’t say is that professional critics often move in the same circles as the artists, musicians, cooks, et al they criticize. Sometimes they know each other. If criticism–especially negative criticism–seems personal it’s because it likely is personal. It’s the critic’s way of saying, “You can do better.” Criticism, even professional criticism, is just an opinion, but at best it’s an informed opinion, and its purpose should be to either enlighten the audience or to push the artists to be better.

At least that’s my opinion. What do you think?

Source: Disney Wiki

Surprise me.

Anyway I plan to keep writing about graffiti, and, by the way, if you see any please send your graffiti pictures to freethinkers@nerosoft.com. And I’ll try to keep these words of Anton Ego in mind:

Not everyone can become a great artist; but a great artist can come from anywhere.

The Log In My Eye.

DCIM100SPORT

Dauphin Island, 2015.

When my wife and I went back to the beach on Dauphin Island this year I wondered about the large piece of driftwood. It was there last year, and the year before too, and may have even been there several years ago, when we first went to that particular beach. Calling it “driftwood” may even be a misnomer; it came up to my waist and if it had been a solid piece of wood, rather than the coiled and twisted roots of a large tree, I wouldn’t have been able to put my arms around it. In fact I wasn’t able to put my arms around it. I sort of stuck them through it and I’m pretty sure I heard the barnacles laughing at me. It had a distinctive shape, too. When I mentioned it my wife knew exactly what I was talking about: “The one that looks like a swan.” And from one angle it did look like a swan, the neck arching out into open sea and wings stretched out behind. In the earlier years its patch of beach had been vacant but last year a “Sold” sign went up in the spot behind it and there were outlines of planned construction. I’d walked by that driftwood cluster several times. It had become almost like an old friend. It was as familiar to me as the house on the beach we’ve rented three years in a row now. Every time we arrive there’s a certain routine. There’s the giant metal seahorse hanging on the wall, there’s the plastic mug with the chip in it, is that my deodorant I left here last year? And there’s that driftwood swan. It reminded me of my grandfather, not because it was old and gnarled and gray and had a sense of humor, but because of the fallen tree I saw at my grandparents’ house. They lived at the top of a steep hill that sloped all the way down to a creek. By the creek a massive old tree had fallen over and its underside, roots spreading out in all directions, faced their house. My grandfather told me it looked like a monster. And it did. At certain times, when the light was just right, it looked like it had eyes and a big snarling mouth. Or maybe it was about to let go with a sneeze than would knock down everything within a six mile radius. You’d think telling an imaginative and easily freaked out kid like me that there was a monster in the backyard would be a bad idea but I was amazingly cool with it. The giant amoeboid shaped intrigued me, and even though it was still as the light shifted around it I imagined it moved. Every time we went to my grandparents’ house I had to go and look at “the monster”.

Last year I knew we’d return to find the driftwood swan changed, maybe even gone, and I was fine with that. All right, I wasn’t completely fine with it, but I accepted it. Beaches always make me think about the ephemerality of all things. The sand, the waves, the wind, the light—all these are in constant change. Last year a group of Portuguese man o’wars washed up on the beach and while you’d think a cluster of stinging cnidarians could ruin a vacation they were cool and said, “Dude, we’re just gonna chill here until we can catch the next wave.” And within hours of the tide coming in most of them were gone. The rest were gone by the next day. There was a time when the driftwood swan hadn’t been there and I would have to accept there would be a time when it was gone. Besides it was too big to fit in the back of our car. I’d tried to move it and it wouldn’t budge. I’m pretty sure I heard the barnacles laughing at me too. I took some pictures and said farewell.

So I’d made my peace with the end of the driftwood swan, although I also kind of hoped the new property owners would like the look of it and leave it. And when we got to the house this year I could see its dark outline against the sand. It was still there. At least I thought so until I took a walk in that direction. It had been cut. They hadn’t cut it to the ground but they’d sheared off big chunks of it, completely changing the shape. The whole thing had been wavy, irregular, but now it had flat surfaces where metal had cut through. It made me angry. It seemed like they’d looked at it and decided it didn’t belong but rather than try to move it in the peak of pique they’d just cut it, their way of showing that wood who was boss.

Dauphin Island, 2016

Dauphin Island, 2016

“Maybe they did try to move it and it broke,” my wife said. She’s sharp so she’s always got a point. I thought how hard it can be to move anything that’s embedded in sand, and I have no idea how far down it goes. Maybe it had broken leaving sharp wooden prongs. Maybe the property owners have kids and didn’t want to take a chance on their offspring, or anyone else, being gashed.

And then I thought maybe they’d saved the broken pieces, or maybe they’d just cut pieces off because they liked the look of it. Maybe that wood, seasoned with salt and sun, was on a shelf, or maybe even somewhere far away, on a fireplace mantel, or on display in an ocean gift shop where it will make people think about the beach, where it may even make them think about the ephemerality of all things even as it sits there for a very long time.

Poetry In Motion: Week 4.

buspoem

The act of writing a poem, or painting a picture or composing a song or making a sculpture, always seems to me an act of hope. Art is inherently optimistic that there will be a future, but also draws on the past. And what’s to come, if history is any guide, will be scary, difficult, and unpredictable.

With all that in mind I thought this poem by Lemuel Robertson would be the perfect one to finish National Poetry Month. Like his namesake he ventures out among Lilliputians and Brobdingnagians, Yahoos and Houyhnhms.

Unlike his namesake his travels haven’t diminished his optimism.

“Poli” Meaning “Many” and “Tics” Meaning Small Bloodsucking Arachnids.

stendhal1“Politics in a literary work, is like a gun shot in the middle of a concert, something vulgar, and however, something which is impossible to ignore.”

-Stendhal

Sometimes I think using art to make a political statement is a dangerous business and can even undermine what art should do. Using art to make a specific political statement makes the art itself ephemeral; if it achieves its goal of changing the status quo the work ceases to have any value.

Yeah, I know it’s not even close to that simple.

The more I look at this particular work too the more I realize it’s not a simple political statement. There’s a level of ambiguity here. Is the artist calling for fewer guns and more love, or saying that if there were fewer guns there’d be more love? Correlation doesn’t always mean causality.

 

 

What’s even more interesting to me is the placement. Here’s where I found it:

stendhal2This particular railroad overpass that marks where Wrenwood Drive becomes Nebraska Avenue. Technically they’re one street, but Nashville is one of those cities where sprawl has led to a lot of spots where one street simply turns into another and renaming them and fixing the maps is a political matter.

I got the close-up by standing in a parking lot and using the zoom feature on my camera. Standing out in the road is a bad idea under any circumstances but this is also an area where cars zoom through. That brings to my mind how much art is a matter of life and death. Depending on how you look at it there’s no such thing as an apolitical work of art.

That reminds me of a joke: two Romanians are sitting in a bar. One of them says, “Fifty-four” and the other laughs. Then the other says, “Ninety-six” and the first one laughs. The bartender overhears this and asks, “What’s with the numbers, guys?”

One of them explains, “Under Ceaucescu we had all these political jokes we couldn’t tell without getting arrested. We gave the jokes numbers so we could share them without telling them.”

The bartender smiles and says, “Oh, I get it. Hey guys–twenty-seven!”

They look at him blankly and then one says, “You know, it’s not the joke so much as how you tell it.”

Seen any graffiti? Send your pictures to freethinkers@nerosoft.com. Let me know if you’d like to be credited or if you’d like to remain completely anonymous. It’s all in how you tell it.

Pop Quiz: Rhymes With Cheese.

Milk it for all it's worth.

Milk it for all it’s worth.

 

 

 

 

 

 

 

 

 

 

 

In honor of National Poetry Month I thought I’d offer up this pop quiz: verse form or cheese?

  1. Rushan
  2. Urda
  3. Ghazal
  4. Sirene
  5. Rondelet
  6. Villanelle
  7. Tilsit
  8. Clerihew
  9. Mimolette
  10. Saga
  11. Paneer
  12. Triolet
  13. Cantal
  14. Rondelet
  15. Rodoric
  16. Limburger
  17. Limerick
  18. Havarti
  19. Haiku
  20. Sestina
  21. Sapphic
  22. Pantoum
  23. Feta
  24. Gorgonzola
  25. Vetch

Scoring:

20-25: The poetry reading/cheese tasting will be at your house

15-19: You took cooking as an elective while majoring in English, or vice versa

10-14: You’re good enough at guessing that I’d like to go to Vegas with you

5-9: It trips you up that the French have almost as many different verse forms as cheeses

1-4: You’re a menace in both the kitchen and the library

cheese