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The Library Game.

My definition of graffiti may be overly broad, but then again my definition of art may also be overly broad. I can’t help it. Every time I’ve started the sentence “Art is…” I feel like there’s no succinct all-encompassing way to finish it without excluding something. Trying to define art is like trying to define what games are. Think about how many different ways we use the word “game”. Or “art”. And while a picture may be worth a thousand words a thousand words don’t necessarily add up to a picture, but that’s another story.

Anyway I think this sticker qualifies as graffiti.

005It may not be original but it was put in a public—well, in this case semi-public—place by someone without authorization. It’s an act of vandalism but a positive one.

I know—defining “a positive act of vandalism” may be just as thorny as defining art.

The sticker commands us to read, but why the blindfold? Are we blind without knowledge? Or should we read blindly, being open to all perspectives, all possibilities? And is it wearing headphones or it just a weirdly shaped butterfly decapitated head? Feel free to throw out any answers or questions of your own.

This sticker is in Vanderbilt University’s Peabody Library. If you live in Nashville or if you’re visiting and have a chance to drop in to the library see if you can find it. The picture is the only clue you’ll get from me.

Since libraries are fun places to explore I thought I’d make a game of it.

 

 

Dog Star.

Source: Wikipedia

Source: Wikipedia

Earlier this week was the celebration of the Chinese New Year. This is a Year of the Monkey according to the Chinese zodiac, although that’s always seemed kind of fishy to me even though there are no fish in the Chinese zodiac. A year, even a lunar year, is a really long time. How likely is it that all people within that time share similar characteristics? It’s a question I asked when I first learned about the Chinese zodiac, from a placemat.

It was my first time at a Chinese restaurant. In fact it was one of my first times at a restaurant because I was only nine, and I’m old enough that Chinese restaurants then were unusual. The Hunan China Palace, on top of the hill behind K-Mart, with its large sign with a red neon star like a blinking ruby, stood out in a neighborhood of fast food places, auto parts stores, and the nearby mall. Inside the restaurant was dark and hushed. My parents, our next door neighbors, and I were the only patrons there. The waiter was as stiff and formal as his dress. He wore an austere black suit and a black bow tie. My mother ordered chow mein and an egg roll for me. I’d had chow mein at home, made by my mother, but this was nothing like hers. The celery and ground beef were replaced by strange vegetables and strips of pork, and it didn’t have the crunchy fried noodles that came in a can. Where were the crunchy fried noodles? I still liked it, and while I waited for the food I read about the Chinese zodiac on the placemat. It was fascinating and exciting to think what peoples’ specific signs said about them. Even if I didn’t recognize all the famous people listed I knew who George Washington (Year of the Rat) was, and I knew who Shirley Temple (Year of the Dragon) was, and then I found my birth year. A Year of the Dog. And who were the famous Dogs? Only one name: David Niven. It’s a lucky thing the place was so hushed and formal or I would have yelled out, “Who the hell is David Niven?” I’d never seen a Pink Panther film. I didn’t even know he was an actor. Being born in a Year of the Dog felt like a curse, although I did appreciate the qualities of a Dog: loyal, which I am, sincere, which I hope I am, and decisive, which I’m not so sure about.

The neighborhood where the restaurant was has changed significantly. The fast food places and auto parts stores have mostly been replaced by restaurants ranging from Mexican to Thai, and the area has grown incredibly diverse. Small shops with goods from all across the eastern hemisphere jostle each other up and down the blocks so now the big box store that replaced the mall is what stands out, a band of Americana in a rainbow of nations. The area has grown into something very different than what it once was.

And that makes me think that the person I am wasn’t fixed at birth, that I am more than someone born in a Year of the Dog. I am an individual made up of diverse parts.

And then I turn around and think there might be something to the zodiac, both Chinese and Western. The stars aren’t fixed, nor is the Earth a closed system. Perhaps it’s not as clear as the philosophies we’ve dreamt of would have us believe, but maybe the stars do have some influence over us. The Chinese years are based on a lunar calendar and there’s no question that the Moon holds some sway over us. Numerous animal species tie their births and mating cycles to the Moon and the tides it causes. Who’s to say the radiation of even distant stars doesn’t touch us in ways that make us who we are? How much of a representative of the Year of the Dog am I?

Well, one thing I can say with a fair amount of certainty is I didn’t get the decisive part.

And now, for all those born in a Year of The Monkey…

 

Don’t Take Lipstick From Strangers.

With Valentine’s Day coming up it’s time for another pop quiz. This time our topic is: Candy or lipstick color?

All lipstick colors are from Maybelline, Covergirl, and Revlon. All candies, with one notable exception, are from Russel Stover Candies.

  1. Chocolate Mint dream
  2. Touch of spice
  3. Pink sugar
  4. Coconut cream
  5. Burgundy blush
  6. Chocolate whip
  7. Butter cream caramel
  8. Maple kiss
  9. Pecan delight
  10. Cherry cordial
  11. Truffle tease
  12. Espresso exposed
  13. Electric orange
  14. Chocolate Adelaide
  15. Crunchy frog
  16. Raspberry parfait
  17. Brazen berry
  18. Berry couture
  19. Apricot fantasy
  20. Raisin rage
  21. Red velvet truffle
  22. Mocha cream
  23. Starlight kisses
  24. Chocolate velvet
  25. Caramel glacé
  26. French mint
  27. Sugar almond
  28. Roman nougat
  29. Bronzed peach
  30. Wedding cake truffle

Scoring:

26-30: You’re the one holding up the line at the pharmacy because you’re getting your groceries and your prescriptions at the same time.

20-25: You know more about chocolate and fashion than any human being should.

15-19: You should take up gambling because you’re really good at lucky guesses.

10-14: You deserve chocolate today, unless you’re allergic to it in which case you deserve the chocolate substitute of your choice.

5-9: It doesn’t say anything on the label about lark’s vomit.

1-4: You are some kind of sick human being, possibly a cannibal, and I would really like to meet you.

 

Answer key:

candy

Password Isn’t Just A ’70’s Game Show Anymore.

Enter password

**********

Password incorrect. Re-enter password

**********

Still incorrect. Try again.

**********

Now I’m getting suspicious, but give it another shot.

**********

Okay, buddy, you’ve got one more chance.

**********

Close, but no cigar. I’m about to release the hounds.

**********

You forgot your password didn’t you? Click the link to reset your password.

[Check inbox.]

[Refresh inbox.]

[Wait twenty minutes and refresh inbox again.]

[Click link.]

Please type your new password.

**********

Your new password matches your old one. Try again.

passwords

Let Sleeping Faces Lie.

rbfEven though Susan Harlan’s Alternatives to Resting Bitch Face made me laugh something about it still bothered me. And then I realized it’s that term and I remembered that one of my favorite things about going to dog shows is hearing little old ladies say, “Look at that bitch go” and “Who does that bitch think she is?” but that’s another story.

And I felt like the list was still putting the responsibility in the wrong place. Maybe that was the point and I not only missed the joke and am unnecessarily white knighting here–it wouldn’t be the first time. I’m still trying to figure out why guys think it’s appropriate to ask women to smile and I’m amazed by the catalog of creepiness at Endearingly Wacko (part 1 and part 2)  I’d like to offer up some alternatives to the alternatives.

I’m Projecting My Feelings Onto You Brain

You’re Out Of My League So I’m Going To Insult You Brain

I Have No Self-Awareness Brain

I Expect Something In Return For Behaving Like A Decent Human Being Brain

I’m Unaware Of This Male Privilege You Speak Of Brain

I Really Believe Women’s Experiences Are Just Like Men’s Brain

I Don’t Get Why You Aren’t Flattered By Attention From Strangers Brain

I’ll Decide Whether I’m Your Type Brain

I Was Raised By Coyotes Brain

I’ve Mistaken You For Someone Who Gives A Shit Brain

 

 

2016: A Bus Odyssey.

“You’re odd-I-see, true to your name!”

-the goddess Ino to Odysseus, from The Odyssey, translated by W.H.D. Rouse

The construction went on for a surprisingly short time: less than two months. I assumed it was one of the local companies that had torn up and closed off a section of the sidewalk, blocking off pedestrian access because that is what’s happening all over town. And there was already a perfectly good bus stop there—and by “perfectly good bus stop” I mean a metal sign stuck to a pole. But then when the construction was done there was this…thing.

odyssey1

Source: Essays & Articles of Cinema https://filmessaysandarticles.wordpress.com

Okay, it wasn’t exactly like that, but it was a monolith next to a bus shelter where there had never been one before. Because of the construction I’d been catching the bus at a different stop so its appearance was a bit of a surprise.

odyssey2Hesitantly I touched it.

odyssey3Nothing happened.

What is it? What is it supposed to do? Based on a single picture I found on the Nashville MTA website it looks like it will eventually have a large route map, but the information is scant and for now it’s just this big blank thing standing on the street next to the bus shelter. It’s probably something to do with the project to install 100 new bus shelters, but what are the proposed “amenities” and how does the signal work? I contacted the MTA and got this answer:

When the button is pressed a small light flashes atop the bus shelter.  It is best used when the bus can be seen in the distance.

Which is fine, except in those places where the hills or turns or construction that’s torn up the sidewalk make it so the bus can’t be seen in the distance.

odyssey4

Source: Essays & Articles of Cinema https://filmessaysandarticles.wordpress.com

So…Happy Birthday, yeah?

Most of the time I’m behind on things, but once in a while I hear about something before it gets big. And that’s what happened when a friend introduced me to a brilliant young comedian named Eddie Izzard, whose birthday is today. Several years later I’d see him live at the Ryman Auditorium, which was interesting given that it’s a former church. And maybe he realized that because he seemed to want to challenge the audience, to make us angry by provoking us on the topic of religion. Izzard’s clearly a guy who loves a challenge–in 2009 he ran 43 marathons in 51 days. In his book Dress To Kill, a loose autobiography, he says, “I like things that work, even in difficult circumstances. I like doing gigs even when I’m fucking dying.” Although interestingly he dropped out of the military because he was passed over for promotions. He felt the system was arbitrary and lost interest. The world of comedy–and entertainment–is better for it.

What was strange about seeing him live, though, is that he couldn’t seem to get the pushback from the audience he wanted, and that’s not surprising. He was facing people with t-shirts that read “Cake or death?” and all he had to do was a few lines in a James Mason voice to elicit cheers. In the taped performance of his Dress To Kill show you can tell he loves it when a heckler yells, “Move on!” And if you listen to some of his earlier shows–even Glorious, which is his best performance so far–it takes him a bit to warm up the audience. In the show at the Ryman he got a standing ovation as soon as he came out and couldn’t have gotten heckled if he’d begged for it.

So, yeah. Here’s to many more challenges to come. It’s hard for me to pick a favorite Izzard bit, but here’s a great one. If you’re unfamiliar with his work be sure to turn up your speakers really loud and gather your children or co-workers around.*

justkidding

This Isn’t A Real Job?

warholJust a few months out of college I got a job working in a library mailroom. It wasn’t in the library itself but an office building so we had a messenger who dropped off and picked up intra-library stuff twice a day. I’d help him carry it down to the basement and load it onto the van. There was a construction company that had its office in the same building and we would sometimes meet construction crew guys in the hallways or the basement.

We nicknamed one of them The Joker. He didn’t resemble Jack Nicholson or any other incarnation of the infamous Batman villain, and he dressed like most of the other guys: a t-shirt and a flannel shirt that thankfully covered enough of his baggy jeans that his crack was never exposed. He was, I think, the oldest member of the crew and he wore glasses with such thick lenses I never got a clear view of his eyes. It was the teeth that earned him the name Joker. His discount dentures were a little too white and a little too straight. They were like a miniature version of the fence Tom Sawyer tricked his friends into whitewashing. In his mouth. And they were poorly fitted so The Joker had a permanent leer.

One day The Joker said to me, “Why don’t you get a real job?”

I asked, “What’s a real job?” He just grunted and walked away.

That question has stuck with me. What’s a real job? I’m pretty sure he meant construction, but how is that any more of a real job than working in a library, or, for that matter, making corrective lenses or cheap dentures? Isn’t anything that pays the bills a real job?

That brings me, in a very roundabout way, to this particular graffiti. The picture is an advertisement that’s been slapped down on sidewalks around town since advertising’s goal is to cover every available surface and to that end somebody’s put a couple of stickers advertising something completely different on the ad, but someone—I think it’s local artist CONS—has scribbled their own signature on it too. Two of these things are intended to make money and were designed and paid for. One isn’t.

In the era before the ascendance of Pop Art it was considered vulgar for artists to talk about money. There was a very romantic notion that while artists didn’t necessarily need to starve they should eschew gross materialism. They could have wealthy patrons but weren’t supposed to be wealthy themselves. Andy Warhol especially changed that, openly talking about how much his works commanded and making the making of money kind of a performance art. And that raised some questions that are still valid and still, perhaps, unanswerable: is art more or less authentic if the artist is being paid? If the piper only pipes what the highest bidder wants to hear does that make the music better or worse?

Or, to tie it back to this particular piece, is advertising more or less art than an elaborate scribble? The romantic in me wants to say the graffiti artist is doing something more creative, more interesting, more real—even more noble, but then I think, hey, advertising can be art. And that means making art can be a real job.

Seen any graffiti? Send your pictures to freethinkers@nerosoft.com and receive the gift of seeing your name here.

Objects In Mirror Are Not As They Appear.

Headed toward home I wonder who monitors all the monitors

That glow in the houses on either side. And where

Are they? In the savannahs and in remote jungles

Where the only electricity comes from seasonal storms

Seen in photographs from a distance monitors

Are lizards that slink around rocks and over

Trees after small mammals and other easy meals.

They range in size from smaller than your hand

To monsters with five-fingered feet

With claws that could remove your entire arm,

And they’ve held dominion over their territory

From time before the first simians scraped sparks

Out of stones. A trespassing baron sat down to rest

As he was crossing an island he’d crossed an ocean to visit.

All his minions found was his indigestible glasses and shoes.

Some of these big lizards, although common

Names are hard to tie down, are called basilisks.

In legends basilisks were the offspring of a rooster’s egg

No matter which way it fell off the barn roof

And had the power to turn anyone who caught their eye,

No matter how casually, into stone.

It’s just a legend. Some legends are encrusted or crystallized facts,

But not this one. This legend’s safely in its cage

Around the next corner licking its lips.

komodo

Sponsored By The Monongahela Steel Foundry, Makers Of Ingots For The Home.

Sometimes all it takes to make something funny is to give reality just the tiniest nudge. Take for instance, reporter Wally Ballou touring the historic Sturdley House, home of Fabian Sturdley, which was going to be torn down to build a combination bowling alley and car wash before a group of civic-minded citizens banded together to save it. A tour of the Sturdley House takes approximately four and a half minutes and you can see Mr. Sturdley’s collection of National Geographics as well as his picture of a blank Mount Rushmore. Not too many of those around.

That, of course, comes from the comedy duo Bob and Ray. After more than forty years of working on radio together they were separated in 1990 when Ray Goulding passed away. Bob Elliott continued working, including appearing with his son Chris Elliott. Bob played Chris’s father on the show Get A Life. That sounds like a premise for a Bob And Ray bit: What’s it like playing your son’s father on television?

Their wit was dry as a bone and I think that’s what keeps me going back and listening to it. Or reading it since a lot of it works just as well in print—their book From Approximately Coast To Coast…It’s Bob And Ray includes some great bits, including an interview with historian Alfred E. Nelson whose history of the United States mistakenly puts the Civil War in 1911. Nelson admits that’s a mistake and goes on, “I could have checked by asking almost anybody. But, here again, when I sit down at the typewriter, I just like to take off and go. Know what I mean?”

In a genuine interview with Mike Sacks, collected in Poking A Dead Frog, Elliott said, “We did what we wanted to do and we got away with it. And it was fun.”

Yes. Yes it was. Hail and farewell Bob Elliott.

As a final twist I first learned about them from a 1979 NBC television special. The clip below includes one of my favorite things ever, which starts at the 7:33 mark. If you don’t have time to watch the whole thing skip to that. It’s four and a half minutes you won’t regret.