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It Spoke To Me.

When I was six or seven I was touring a colonial house with my parents. The guide picked up a bucket and said, “Imagine if this could talk. Imagine the stories it would have to tell.” And I thought, well, it’d probably say, “I liked being filled up. It was my only chance to look around. Then they’d empty me and stick me back here in the corner. Been here a long time. So, do you guys like water?”

Jokes aside it was the first time I’d heard the cliché of “if this thing could talk”. It was a concept I liked because it really did tickle me to think how different the priorities of antiques would be, which would make them less than ideal witnesses to the history they’d been privy to.

Including privies.

Especially privies.

So I found the story written on this car interesting. It was as though the car were speaking to me, although it seems to really have been the story of the owner. It sounds like a love story, or the start of one. This was yet another case of a car I would have happily followed to learn more about its owner. I don’t know why I didn’t leave a note. A note is one thing we can create that does speak, not for itself, but for us, which is what matters.

001Taking a broader view I can see a couple of other reasons I would have liked to talk to the driver.

storycar

The Driver’s Seat.

002Have you ever wondered what bus drivers need to do when they need to grab a bite to eat, or nature calls? They do what you and I do: they keep a mayonnaise jar stashed under the seat and…er, I mean they pull over and stop somewhere.

For a short time I was stuck daily with a driver who insisted on stopping at a McDonald’s on the route. This was in spite of the fact that she was always running late. She blamed the previous driver for this, but it never seemed to be a problem on days when someone else was driving. Maybe it really was the previous driver who’d held her up, but the substitutes didn’t spend most of the trip turned halfway around in the seat talking to someone standing behind them.

One day she was ridiculously late, but that didn’t stop her from stopping at McDonald’s. Somebody at the back yelled, “Hey, I’m late for my job! Can you skip that today?” She turned around, looked at them, then slowly got off the bus. While she was still in McDonald’s another bus went by us. I watched it longingly, unable to savor the irony that I’d have been home sooner if I’d taken a later bus. I even thought about jumping into the driver’s seat myself. Somebody else, I thought, needed to drive this bus.

Apparently I’m not the only one who thought so. The next week we had a different driver.

Don’t Come Around Here No More.

Source: Wikipedia

If you’ve ever studied art history you probably know that in 1917 Marcel Duchamp signed a urinal “R. Mutt” and put it in a gallery. He called it “Fountain”. It was a serious statement about how the most utilitarian items really are works of art. Or maybe since Duchamp had a weird sense of humor it was a funny statement about how you can put anything in a gallery and it automatically becomes art. It’s a joke some artists have been repeating for nearly a century now.

I thought about that when I saw this painted over graffiti. Notice that it’s in a gallery parking lot. It’s like the gallery owners were saying, “Don’t bring your art around here!”

galleryWhy did Duchamp choose a urinal? Well, like I said, he had a weird sense of humor. Or maybe he was just preparing for the critics.

Wait, He’s Canadian?

“Did you know one of The Kids In The Hall is gay?”

It was 1990, and I was part of a cabal who’d seen The Kids In The Hall pilot episode. This was before they appeared on one of the new comedy channels that appeared on basic cable. It was a small number of us who were familiar with The Kids In The Hall before anyone else, except, of course, the people who’d seen them live, the producers who gave them a shot at a show, and anyone else who’d seen the pilot episode. I understood how the previous generation felt when they discovered Monty Python on PBS.

So when one of my friends asked me, “Did you know one of The Kids In The Hall is gay?” my natural first reaction was, “Only one?” I then went through the names and eliminated four before saying, “Um, Scott Thompson?”

Happy birthday Scott Thompson. I’m sorry I took so long to get around to you.

Memory’s Labyrinth.

The loss of Christopher Lee is sad and would be for me even if the only thing I knew him from was that version of Dracula that gave me nightmares when I was a kid. As a teenager I appreciated it much more when I watched it again in my bedroom very late one night. It was almost as much fun as the less well-known Doctor Terror’s House of Horrors, in which Lee plays a critic menaced by…well, I won’t give it away. It’s just brilliant. If Lee’s passing is what finally prompts a proper U.S. DVD or Blu-Ray release of Doctor Terror’s House of Horrors it will be bittersweet.

I didn’t realize it was the same actor at the time but Lee also played a brilliant mad scientist in Gremlins 2, holding his own against the Brain Gremlin. If you’ve seen Gremlins 2 you know that’s no mean feat. If you haven’t seen it you should.

Hail and farewell Christopher Lee.

Less publicized is the loss of Ron Moody. Most people will recognize him as Fagin from Oliver! For me he’ll always be Rothgo, the all-powerful wizard who’s lost his powers in Into The Labyrinth, a British series that ran on Nickelodeon in the early ‘80’s. My friend Andi and I would watch it together. Into The Labyrinth was part of Nick’s “The Third Eye”, a compilation of British and New Zealand supernatural series for children. For some reason Into The Labyrinth was the only one Andi and I watched together. She loved it. From Into The Labyrinth I learned that “souvenir” is French for “memory”.

A few years later Andi would succumb to cancer at the age of twenty-five.

Into The Labyrinth remains one of my favorite souvenirs of Andi, and of Ron Moody too.

Hail and farewell Ron Moody.

A souvenir of Christopher Lee:

And Into The Labyrinth in its entirety, a souvenir of Ron Moody:

Pick A Card.

slinkyListening to a radio report on the demise of voice mail reminded me of how much time at work I used to spend on the phone. My first job out of college was in customer service where all I did was answer phones. If you’ve ever worked in a job like this my heart goes out to you. It was a miserable three months even though a lot of the truck drivers were nice, and two were former professors of anthropology.

Even when I went on to work in a library I still spent a lot of time on the phone. Sometimes the only way to resolve an issue was to call a publisher or other company and speak to someone personally. This continued long after email became ubiquitous. A funny side story: I used to have to contact a company in Europe. Because of the language barrier and the expense of phone calls I’d send them faxes. They’d type a reply on the same sheet as the fax and mail it to me. This drove me nuts because if they replied by fax I’d have an answer the next day, but they used some bizarro mail rate that meant it took a month for a letter to get to me. When they got email I thought, “At last! My problems are solved!” and fired off a quick message to them. A month later I got my email, printed, with a response typed at the bottom, sealed in an envelope.

They did figure it out eventually.

"Wait a minute. There's a button here that says 'Reply'. Can we use that?"

“Wait a minute. There’s a button here that says ‘Reply’. Can we use that?”

The library where I work, like most libraries, used to have a card catalog. Librarians stopped updating it in 1986 when computers were installed. It must have seemed like a gradual change. Most of the information in the card catalog was still useful for years, even until they ripped out the drawers to make way for meeting rooms, although long before that the cards themselves were removed. They were given out to anyone who wanted them. I took stacks and stacks, and kept going back for more. They were useful for taking short notes so I kept them next to my phone.

006

No joke–I drew this while waiting for someone to pick up.

Most of the time I spent on the phone wasn’t even spent talking to anyone. It was waiting for someone to pick up, listening to hold music. I’d sit and eat peanut brittle and pass that off as static when a person finally picked up. Or I’d draw pictures.

The time I spent on the phone diminished so gradually I didn’t even notice it going away. I still have stacks of old library cards. I still use them to write notes sometimes.

009

Don’t Talk To The Driver.

I have no idea who's responsible for this, but I love it.

I have no idea who’s responsible for this, but I love it.

“You were supposed to turn back there.”

“No sir, you’re thinking of the number thirteen route.”

I was standing quietly at the front of the bus waiting to swipe my fare card, but I couldn’t because a guy had come up to the front and was arguing with the driver. It wouldn’t have bothered me but the light had turned green and cars were now speeding around us.

“Well what am I supposed to do?”

“You can get off here and you can walk two blocks over that way and catch the thirteen.”

“But I paid. Can you give me a transfer card?”

“No sir, we don’t have those anymore.”

When I started riding the bus you could pay your fare and get a transfer to ride another bus for an extra ten cents, but they stopped offering those fifteen years ago. Where had this guy been?

“If you go catch another bus and tell the driver you got the wrong bus they might let you on without paying.”

“Maybe I should give ’em your name. What’s your name?”

“Just say you were on bus number 701.”

The guy wasn’t happy about this. He was pretty insistent he wanted the driver’s name, but he finally got off the bus so we could get underway.

It’s one thing to be held up in traffic because there’s just a lot of traffic. It’s another to be held up because some jackass doesn’t know what he’s doing.

fireman

Next: Advanced Acting English.

Source: Goodreads

Happy birthday to Shappi Khorsandi, British stand-up comedian and author of A Beginner’s Guide To Acting English. In at least one interview she’s said her original title was White People Smell Of Milk, which I think is brilliant. I wish the publishers had let her go ahead with that title, but maybe the final version works a little better.

 

 

What Do You Want?

wallorchidWhat’s the difference between graffiti and a wall mural? One’s wanted, the other isn’t. Yes, graffiti is wanted by the artist, but a wall mural is wanted by someone else. I wonder, though, how often someone commissions a mural or other work of art and then thinks, “Well, that’s not exactly what I had in mind” when they get it. That’s one advantage of graffiti: the artists never have to worry about letting anyone down but themselves.

 

 

Here are a few other works I’m pretty sure were commissioned or requested. I hope the artist didn’t let anyone down.

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