Author Archive: Christopher Waldrop

Stretching Belief.

Like any Star Trek fan I’ve been celebrating the 50th anniversary watching episodes and movies, including Star Trek IV: The Voyage Home which is still a favorite after all these years. Most science fiction requires some suspension of disbelief and Star Trek requires a lot. And I’m okay with that. There’s a lot that I can just take in stride. Ships and bases floating in the depths of space lose all power but the artificial gravity still works? I can accept that. Warp speed means the ships already travel faster than the speed of light but they have to do an extra-special slingshot around the sun to go back in time? I can accept that. The planet Vulcan looks nothing like Earth and yet has an atmosphere safe for humans? Yeah, and most aliens–including many of the species that make up the Federation council are perfectly comfortable in an Earth environment. I’ll just go with it.

This, though, is just impossible for me to believe.

The problem is I’ve never met a bus driver who’d let someone blast music, even at the back of the bus. As soon as the guy cranked that up he’d be told to turn it down and if he didn’t his ass would be thrown off at the next stop.

Maybe I’m overthinking this, though. Maybe the driver’s a fan. Maybe there’s something I don’t know about the route between San Francisco and Sausalito. Hey, if I can accept that transporters are able to break a person down into a highly energized beam then reconstruct them exactly as they were in another place I can accept a guy blaring music on a bus, right?

Please share your theories below.

Up next: the crew parked an invisible Klingon Bird of Prey right in the middle of Golden Gate Park. Why didn’t any joggers bump into it?

Empty Space.

Gentrification doesn’t benefit everywhere equally. Even though some neighborhoods just blocks from where I work are being torn down and rebuilt into towering apartment complexes and condos I can walk the same distance in another direction and find derelict buildings. A rising tide lifts all boats unless they have leaks.

The Jim Reed Showroom, a former car dealership and warehouse down on Church Street, intrigues me. The area is home to a few businesses and a few bars, but the former car dealership, which would seem to be prime real estate, has been empty for at least twenty years now. It’s only a matter of time before someone does something with it but I wonder what’s taking so long.

It’s also a prime spot for graffiti. Most of the graffiti isn’t that interesting. Yeah, sometimes I have to be a critic. But what is interesting to me is where the graffiti is placed. Here’s a satellite view of the place from Google Maps. I’ve added a few modifications of my own.

showroomThe red arrows mark the graffiti-heavy spots. The front of the building, facing Church Street, has had a bit of graffiti over the years but not a lot. It’s the 16th Avenue side that has the most graffiti–especially a couple of loading dock doors. There’s a bit behind the building, facing Hayes Street, but not much. And the side behind Play Dance Bar, Tribe, and Suzy Wong’s House of Yum has almost nothing. You’d think that would be the prime spot for graffiti since it’s protected, even hidden, but the taggers want their work to be seen. And they mostly choose a spot that faces a small park, although it’s not a public park. That space with the trees and paths you see on the left is fenced off and exclusively for the use of people who work in the businesses next door.

showroom1 showroom2

Anyway the desire for visibility may be why, even though a few windows are broken and there’s not much security around the place, there’s no graffiti inside either. At least not as far as I can see. I haven’t been inside–really–but through the windows I can see a place that’s eerily deserted and quietly collapsing in on itself.

showroom1

 

It’s All Plasma.

physiologyScientists have announced that our tongues can detect another taste: starchiness. For millennia there were only four tastes: sweet, salty, sour, and bitter. Then umami was added in 1985 although technically it had been accidentally discovered decades earlier by the Japanese who were doing research on giant fire breathing reptiles. If you’re keeping count that’s six now, although if you’re keeping count it’s because you’re a primary school teacher frustrated at having to update your lesson plan and the colorful cartoon tongue hanging in your classroom again. And this discovery raises serious questions about what scientists will discover next. It’s bad enough that in middle school science class we learned that there are three
states of matter-solid, liquid, and gas-and then halfway through the year had to add plasma, which was very strange because the year before we’d learned that plasma is part of our blood but now we had to remember that there’s a different kind of plasma which is a state created by high energy atomic nuclei, and it’s important to keep one separate from the other and remember which one is in the human heart and which one is in the heart of the sun. And then it turned out nature might have at least fourteen other states of matter, not including my Aunt Lena’s Jell-o salad which everyone, including scientists, agrees is unnatural and should not exist. And we have absolutely no idea what other categories of matter, taste, or even color will be uncovered by scientists. We already know that while the human eye can detect three color wavelengths the mantis shrimp eye can detect twelve which must make mantis shrimp primary school classrooms very interesting. When I was a kid all primary school classrooms had a series of colorful pictures around the wall with all the colors of the rainbow from red to purple, but in mantis shrimp classrooms they must go all the way to, I don’t know, hyper puce maybe.
The discovery of new layers to our senses reminds me of synesthesia, a neurological condition that allows the senses of some people to intersect, allowing them to “see” sounds or “taste” colors even without the assistance of that bearded guy who passed out the sugar cubes while Pink Floyd played “Set The Controls For The Heart Of The Sun”. Synesthesia enjoyed a brief surge of popularity in literary circles, or at least in creative writing classes when I was in college where we were encouraged to mix up the senses in our descriptions, coming up with images like “the mahogany smell of coffee”. After years of being told not to mix our metaphors it was as hard as wrapping our tongues around the idea of more than four states of matter, especially with my roommate who always went off and left the coffee pot on so that my best description of the smell of coffee was “wet ferret plasma”.
The important thing is it was an intersection of art and science, two things too often assumed to be separate, even though by the time synesthesia trickled down to creative writing classes it was a cliché, an important lesson for science too: most discoveries eventually get superseded by something else.

 

It Was A Kick All Right.

When I was a kid watching the Academy Awards the category of Best Animated Short Film always frustrated me. They’d show little snippets of these films that looked funny and brilliant and I had absolutely no way to see them. Even though these were short films I know if they showed each one in its entirety it would make the ridiculously long ceremony even longer (I usually fell asleep well before the Best Picture was awarded) but it annoyed me that I was missing them.

And then we got cable TV and various channels, including Nickelodeon which, in those days, seemed to have trouble finding enough content to fill the twelve hours it was on the air, ran short animated films, including current and former Oscar nominees. They typically ran during the commercial breaks–the space that’s now entirely filled by commercials.

One of those was Kick Me. It was weird and hilarious and made no sense whatsoever and I loved it. I still love it. I think it influenced my sense of humor, or maybe it just spoke to the sense of humor I already had.This was before we got a VCR and it was only by luck that I’d see it, but I managed to catch it two or three times. I’ve never forgotten it, and thanks to YouTube I’ve been able to relive the experience.

It’s a short film by Robert Swarthe who, in addition to being an animator, has done special effects on some very well-known science fiction films, including Close Encounters Of The Third Kind. It’s his birthday today and here’s Kick Me.

Well That Sucked.

Source: Wikipedia

In seventh and eighth grade I went to a school that was close enough to home that, while my parents or friends’ parents dropped us off in the mornings on their way to work, we could walk home. We cut through peoples’ backyards, which seems odd to me now. If I saw a handful of teenagers walking through my yard I’d ask them to leave. Or I’d think really hard about asking them to leave because teenagers make me nervous, but that’s another story.

At least we didn’t linger in anyone’s yard, and I think if anyone who lived in those places notice us they took it as part of living across the street from a school. And the advantage for us was that instead of taking a ridiculously long way around we could cut at least half an hour off the trip. And only part of it was yards. After that there were woods, and a creek.

There’s a Far Side cartoon of a bunch of medieval warriors storming a castle, but one of them is pointing at the moat and saying, “Look! Goldfish!” I’m not reproducing it here because Gary Larson has asked that people not share his cartoons online, and even if you haven’t seen it I think you get the idea. Anyway I would have been that guy. I still find creeks–any body of water, really–interesting. As a kid I could spend hours examining the flora and fauna–mostly fauna–of creeks and bring home jars of salamanders, tadpoles, crawfish, minnows, and anything else I could find. One summer I found a freshwater mussel and kept it in an aquarium for months.

One day crossing the creek I noticed small brown worms in a still spot. My friends insisted we go on–Danger Mouse was going to be on in a few minutes–but later I came back with a jar.

I know what these are, I thought. I’ve read about these. These are flatworms–planaria in the scientific parlance, those diamond-headed cross-eyed worms that could be sliced down the middle and would grow two new worms. Or you could cut them halfway and they’d grow two heads.

I’d only seen flatworms in pictures but I was still surprised by how tiny they were: half a centimeter, maybe, although they were in constant motion so it was almost impossible to get a good measurement. And their heads didn’t look right either. I tried slicing a couple with a scalpel from a dissecting kit but they slipped away from the knife or ended up in pieces that quickly died. As cool as it would have been to have a collection of tiny two-headed beasts it seemed cruel so I quit.

Finally I trapped one in a little container and got a good look at it. These weren’t flatworms. They weren’t worms at all.

They were leeches.

I returned them to the creek. After that my friends never had a problem with me stopping to look in the creek. I was happy to get home quickly. I didn’t want to miss Danger Mouse.

 

 

No More Mr. Tough Guy.

Source: IndependentThere’s something special about character actors. Whether they’re deep background, doing cameos, or in supporting roles they add depth and color. And some of them stand out, like Jon Polito. Chances are you’re like me and don’t recognize Polito’s name but recognize his face. When I saw his picture I said, “Hey, it’s that guy who was in…that thing.” Lots of things, actually. He was a favorite of the Coen Brothers, appearing in Miller’s Crossing, Barton Fink, and The Big Lebowski as well as appearances on Seinfeld, The Drew Carey Show, and Modern Family. He also lent his voice–his distinctive voice–to several animated works.
And I was sorry to hear of his passing. I didn’t even know his name, I just knew him as that guy. Known for mostly playing tough guy roles, whether as a cop or gangster, the characters Polito played weren’t exactly people I’d like to know but there was something about him I did like. Like any great actor he inhabited every role completely, and even when he was only playing a cameo role, supporting the main cast, he was always more than just background.
Hail and farewell Jon Polito.

 

See The Light Ram Through The Gaps In The Land.

When is graffiti not graffiti? That’s a question I’ve tangled with before and not one I feel has a straightforward answer. If you want to get eggheaded about it the term “graffiti” comes from the Italian graffito which means “to scratch” and became associated with vandalism because people like the ancient Romans were not only conquerors but also tourists who went to places like the pyramids of Egypt and scratched notes into the rocks. Sometimes they scratched a thumbs-up sign and sometimes they’d leave notes like, “Very good. Would visit again. Please come see my stadium.–Flatulus” but that’s another story.

I guess that’s why some people feel that “graffiti” is inappropriate for painted works or even too high falutin’ so they employ a low falutin’ term like “street art”.

But what if it’s not even on a street? And what if it’s not even vandalism but is commissioned work that happens to look like graffiti? Maybe I’m making this harder than it needs to be, but if graffiti can be art then art can also be graffiti.

I was sent along this mental Möbius strip by Michelle of Still Not A Journal who shared some pictures of works on and near a building “next to Tallebudgera Creek and under the Pacific Motorway” which she adds is “a dodgy looking area”. The place is called Expressive Ground which it turns out is a performance venue. The way they’ve decorated the place seems like a performance in itself, but I’m not going to get eggheaded and talk about “dynamism” and stuff like that. Here are the pictures:

IMG_3988IMG_3984IMG_3980IMG_3982IMG_4002IMG_3996IMG_3992IMG_3991IMG_3990IMG_3989The animal pictures are especially wonderful because they’re examples of that high falutin’ term trompe l’oeil, and also because I love how proud Australians are of their native fauna. And I can’t think of Australia without thinking of Bullamakanka so go and listen to their song “The Bunyip From Hooligan’s Creek”, not to be confused with The Bunyip of Berkeley’s Creek, which is another story, and if you recognized the Kate Bush song that was the source for the title of this post give yourself five bonus points.

Twenty Minutes Later I Wanted To Do It Again.

crutchWhat does it take to make an experience valuable?

I was a college freshman and alone for reasons I don’t remember. It was unusual for me to be alone since there always seemed to be someone around, even when I didn’t want others around,but on this particular night I was bored out of my skull and had left a series of messages on my neighbor’s answering machine describing in excruciating detail just how bored I was. When I guessed the tape was nearly full I left a final one that ended with, “Being able to share my feelings in this way has given me an entirely new and happier outlook on life. I think I’m gonna go fly a kite.” All of which was, of course, completely untrue. I didn’t even have a kite. But I did get up and leave. I’d been hit with a sudden craving for Chinese food and like a lean and hungry hyena, or at least like a pudgy guy in a trenchcoat, I set forth in search of numbers five, nine, thirteen, and a handful of fortune cookies. The problem was the closest Chinese food place I knew of was three miles away. I had heard of Chinese places that delivered, but New York is a long way from Indiana and I doubted any of them were willing to make the trip. Besides I barely had enough to cover a cup of hot and sour soup, let alone the extremely generous tip they were bound to demand. So I called in my order. I wasn’t going to sit there in the restaurant and eat by myself because that would be weird. And set off on foot. Having measured my walking pace I’m guessing it took me about an hour to get there and even though there was a chill in the air I didn’t worry about my food getting cold on the trip back because it was already cold when I picked it up. And I returned my dorm and had a small feast that I wouldn’t say was fit for a king or even the general whose chicken I was allegedly eating, but at least it broke the boredom. And the next morning I felt like it had broken something else. I had an intense pain in my right foot. I couldn’t stand on it but could hobble along by leaning on walls or on friends. The student health center provided me with a pair of Civil War-era crutches and my parents considered fetching me home to Nashville where my father knew a podiatrist named Doctor Payne. And I kind of wish they had, not because things would have been any better but because when your doctor as a homonynomous moniker like that the jokes just write themselves. I even spun out elaborate imaginary introductions. “Hello. I’m Doctor Payne. I’ll be assisted today by my interns Doctors Hertz, Bledes, and Nurse Stab.”

Instead an aunt and uncle nearby took me to the hospital where I was doted on by the same doctor I’d seen about a month earlier when campus security took me to the emergency room at three a.m. with severe stomach pains that turned out to be the result of mixing caffeine pills with Coke. I’m pretty sure that same doctor was there twenty-four hours a day which, in a small town, probably isn’t unusual, but that’s another story.

It turned out I had a stretched tendon. At least that’s what I think he said since it was kind of hard to pay attention over the sound of the guy a few chairs away who was trying to pass a kidney stone the size of a baseball. I was told I needed to stay off my right foot for the next six weeks which was annoying because walking was my primary way of getting from point A to point B since geometry wasn’t covered in any of my math classes. And I was stuck with the campus crutches which I knew dated from the Civil War because they’d clearly been made for Abraham Lincoln, and even once I got the hang of using them I didn’t move from place to place so much as take flying leaps that luckily didn’t stretch any tendons in my left foot. And when I got bored in class I could amuse myself by picking termites out of them.

It was an interesting experience but I leave this question to you: was anything learned or was it in any other way valuable? Would it help if you could try the egg rolls?

 

No Escaping Destiny.

Source: Wikipedia

Are we born the person we become or are we made by the events that follow? I know that “a little of both” is waffling on the nature versus nurture question, but who really thinks waffles are a bad thing? Excuse me. There’s something I want to discuss but I’m trying to avoid it at the same time. Let me start over.

In different interviews, such as one he gave on Inside The Actors’ Studio or this one for PBS Gene Wilder credited his mother with turning him into an actor, although indirectly. She had a heart attack when he was seven or eight and her doctor told Gene that if he got angry with his mother it could kill her, “but try to make her laugh.”

Maybe that’s why he was so perfect for roles ranging from The Frisco Kid to The Waco Kid, and more than one generation grew up with Wilder as Willy Wonka. In his roles he was so often a man tap dancing on the edge, and sometimes he kept dancing even as he toppled over and went spinning into empty space. Then there were his collaborations with Richard Pryor, where the two played off each others’ weaknesses, turning them into strengths. But was Wilder made into an actor by the trauma he shared with his mother or was it simply the spark that ignited something that was already there?

No actor, especially one whose played such diverse roles as Gene Wilder, can be summed up by a single role, but in addition to being one of my favorite movies–one that always makes me laugh–Young Frankenstein, which was originally Wilder’s idea and co-written with Mel Brooks, seems to me the most personal of Wilder’s films. Frederick Frankenstein is born into an infamous family, seemingly fated by his decision to become a doctor to follow in his grandfather’s footsteps, and yet fate isn’t enough–a whole series of events and characters push or drag him to his destiny. And Gene Wilder runs the whole range, playing straight in one scene and funny in the next, going from morose to manic and around again, always terrified but focused on giving life.

Hail and farewell Gene Wilder.

Back Of The Bus.

backofthebusChuck ruled the bus. He was our equivalent of The Fonz, stretched out across the back dispensing wisdom, standing up for the downtrodden, and generally being the epitome of cool. Except he was short, blonde, didn’t care about the downtrodden, rode the bus instead of a motorcycle, and mostly dispensed wisecracks, so I guess that’s not really the best comparison. He ruled the back of the bus, mostly talking just to his friends but occasionally he’d share something with the whole bus, like the time we had a substitute bus driver who ground the gears, got the bus stuck on a hill, and got lost. Chuck yelled from the back, “Didja get your license out of a Cracker Jack box?” It seems pretty weak now but in the world of first through sixth grade we had low standards and thought it was hilarious.

Anyway Chuck’s place was the entire back of the bus and everyone knew and respected that, at least until one day when I got on the bus and there was a commotion at the back. Another sixth grader, Jim, decided it was his turn to have the glory of the backseat for a change. Most of the time he sat at the front which was the equivalent of sitting at the front of the class. The cooler you were the further back you sat. I don’t know what the catalyst was on this particular day but Jim didn’t have a lot of friends on the bus and he was the son of a teacher. It was hard for him to achieve anything approaching being cool but maybe he thought if he could have the backseat things would change for him. The bus driver quickly pushed her way through the crowd and broke up the fight. She stuck Chuck in his usual spot in the backseat and sent Jim to the front where he’d quietly ride the bus the rest of the year.

There was something weird, almost comical about the way Chuck and Jim fought. They’d both had their eyes closed and were only punching each other in the stomach, and only hitting because there’s not a lot of room to move in the back of a school bus. I guess they were both really cowards but Chuck had found a way to compensate with an attitude.